The Emperor of Water Clocks (Farrar, Straus and Giroux, 128 pp., $23, hardcover; $15, paper), Yusef Komunyakaa’s new book of poetry, contains no mention of the poet’s service in the Vietnam War. The only clue that Komunyakaa is a Vietnam veteran is that his book of Vietnam War-themed poetry, Dien Cai Dau, is mentioned in the front of this book.
I have a copy of Dien Cai Dau (“dinky dau”) on my shelf. Yusef Komunyakaa signed it for me back in 1990. He dedicates that book to his brother Glenn, “who saw The Nam before I did.”
There are many allusions to war in The Emperor of Water Clocks’ almost sixty poems. But only one long poem confronts and dwells on the Vietnam War, and it’s buried under the title “Torsion.” The poems in Dien Cai Dau don’t have to be ferreted out—they have straightforward titles such as “Tunnels,” “Sappers,” “Tu Do Street,” and “Saigon Bar Girls.”
Some of the titles in the book under review are also straightforward. For instance, “The Day I Saw Barack Obama Reading Derek Walcott’s Collected Poems” is precisely about that. Even “the haze of Wall Street” gets a mention in this two-page poem. From Pussy Riot to Grand Master Flash, to the Great Ooga-Booga, Komunyakaa ranges through high, low, and popular culture to forge fine poems dealing with all aspects of life.
Komunyakaa has long since moved on from being the Vietnam War poet of Dien Cai Dau. He received a Pulitzer Prize of his book, Neon Vernacular. His fellow Vietnam veterans must resist trying to contain a poet who “soars to dizzying intellectual and poetic strata.”
Yusef Komunyakaa cannot be contained or stunted. He will go where he will, and his journey will always astonish the reader, yet carry him along in the momentum of music that he hears and puts down on the page with language we will never encounter elsewhere.
I highly recommend this latest volume by our finest poet.