Many fine photography books have come out of the Vietnam War. Some, like Larry Burrows’, are breathtaking achievements that meld art, science, and a profound depiction of war. Others—often just as compelling—bring together images by multiple photographers. Marc Waszkiewicz’ 1000 Yard Stare: A Marine’s Eye View of the Vietnam War (Stackpole Books, 328 pp., $39.95, hardcover and Kindle) is neither of these, although at first that’s not apparent.
With the help of by Lea Jones and Crista Dougherty, Waszkiewicz—who served three Vietnam War tours as an artillery forward observer—has produced instead a fine photo album chock full of compelling images. As in all photo albums, the most recurring subject is its author.
That’s not a bad thing. What we get are photos Waszkiewicz took and some his buddies took. Between them all, Waszkiewicz does a very good job of presenting a visual record of his tour in Vietnam—and afterward. With insatiable curiosity he records the countryside, the villagers, the combatants, the prisoners, and the weaponry.
But more importantly, he also records his life and the lives of the young Marines with whom he served. Sometimes they were frightened, sometimes grieved, and sometimes they were just goofy. Waszkiewicz captures something that most Vietnam War photo books miss: the spunky resilience of the young American men who served there; their inability to consider themselves victims; and their indefatigable insistence on making the best of bad situations.

Waszkiewicz in Vietnam in 1969
There’s not a bad joke left untold, not a single joint left unsmoked. He and his fellow troops worked hard and played hard. If you had to be in hell, you should do your best to dupe the devil. And if you had to be in Vietnam during the war, Marc Waszkiewicz was a good guy to have around.
The last part of the book record trips he made with other veterans to the Vietnam Veterans Memorial and to Vietnam. As the chapter title suggests, these trips are about trying to find peace.
These later images lack the sharp, compelling edge of the Vietnam War photos, but they’re quite nice.
Sort of like life itself.
—Michael Keating