Lullabies for Lieutenants by Franklin Cox

Gung-ho to the max but realistic nevertheless, Franklin Cox assembles a preponderance of war stories and several mini-essays in his Vietnam War memoir: Lullabies for Lieutenants: Memoir of a Marine Forward Observer in Vietnam, 1965-1966 (McFarland, 220 pp. $19.99, paper; $9.59, Kindle). His revealing war stories mainly relate to humping with his unit, the Second Battalion, Ninth Marines. Cox’s his mathematical magic guided artillery support for search-and-destroy missions against the Viet Cong and North Vietnamese Army. His essays editorialize on situations outside the battlefield.

Cox’s chronology is a bit jumbled, but it doesn’t matter: Each chapter has a life of its own.

Franklin Cox’s adoration for the Marines does not hinder his ability to recognize the Corps’ weaknesses in the Vietnam War. He took part in the historic 1965 amphibious landing that began the big buildup of in-country manpower. He writes that beyond “a handful of senior offices and salty first sergeants,” the rest of the Marines were new to warfare. They soon became the first American troops assigned to “find and kill the enemy” south of Danang in “inhospitable” I Corps.

“When the last Marine units finally left Quang Nam province six years later the objective was never fully accomplished,” Cox notes.

His account of his first months in country overflows with tragedy. He writes about ten days of “incredible mistakes, one after another, that became numbing, commonplace events that befell the greenhorn battalion from the first days it landed.” In “one two-day period 2/9 took more than 45 casualties from snipers and booby traps and recorded not one official VC KIA.” Meanwhile, the rules of engagement that required multiple levels of cover-your-ass approval virtually eliminated timely artillery support. Inflammatory U.S. media reports further disrupted the Marines’ efforts, Cox says.

For the first half of his thirteen-month tour, Cox watched the world unravel from inside the battalion headquarters’ Fire Support Coordination Center. His life changed drastically when he joined the grunts in the field as a forward observer, and voluntarily took part in everyday combat tasks, including walking point. “Frustration and fatigue consumed us,” he writes, although Cox lavishes praise on superiors who skillfully led. He also bluntly disparages leaders who failed to meet their responsibilities.

Cox engaged in his share of intense fighting, and his combat stories sometimes resemble parables that become cryptic. He recalls, for example, watching a Marine platoon leader make a point—using six 106-mm recoilless rifles of an M-50 Ontos—by flattening a well-established schoolhouse after a village chief denied any affiliation with the VC despite booby traps that ringed the village and killed and seriously wounded three Marines.

The surviving “savage” Marines sadly looked away while women and children screamed and cried. The village chief showed no emotion even when the platoon leader called him a son-of-a-bitch. Cox ends the story by saying: “A few months later something happened to another Marine platoon when it entered the same village. Only someone pathetically dumb would have to wonder what happened.” Still, even today Cox respects the VC and NVA.

Cox in Vietnam

Like a goodnight kiss, he includes a short chapter at the end of what he terms unlearned lessons from the Vietnam War.

Cox offers no notes or bibliography. He derived “the essence of his experience” primarily from “scores of letters” written to his mother, he says. Occasionally, he writes about conversations with longtime friends. The book contains a scattering of in-country photos he took. 

Published in 2010, Lullabies for Lieutenants attained classic status among Marines after winning several awards, including the grand prize in the 2014 Story Pros Awards Screenwriting Contest.

—Henry Zeybel

Brothers in the Mekong Delta by Godfrey Garner

Godfrey Garner possesses exceptional storytelling skills. Along with that talent, he has definitive psychological insights about life and about war. He puts that all together in Brothers in the Mekong Delta: A Memoir of PBR Section 513 in The Vietnam War (McFarland, 192 pp. $29.95, paper; $9.99, Kindle), a memoir of his 1967-68 tour of duty.

 “Following a lengthy break in service,” Garner writes early in the book, “I reentered the U.S. Army Special Forces and fought in Afghanistan where missions were planned and often rehearsed for at least a week.” In his book Garner briefly compares that experience to his Vietnam War tour as a naïve young man.

“Vietnam wasn’t a clean war,” Garner says. “Missions in Vietnam were conceived in the morning and carried out in the evening. Though we were all trained pretty well before deploying to Vietnam, once in the country, we realized that there were no training protocols that could have equipped us for what we encountered. It became more and more unconventional on a daily basis.” Later, he adds, “We never planned ahead. We reacted.”

Garner crewed on—and then captained—a 30-foot Riverine Patrol Boat based at the Sadec River Division 513 compound. Navy PBR crews were the cops of the Mekong Delta waterways. They also provided transportation and fire support for SEAL team operations.

He tells his story through the eyes of a twenty-year-old who is still a teenager at heart, as were the men with whom he crewed and spent most of his free time. Befriended for life by Jack Anderson, David Taylor, and Billy Moore, Garner recollects the “new normal” education of them all. “In many ways,” he says, “Vietnam served as a sort of ramped-up kindergarten of life. Our average age was 19.”

Between nearly daily patrols, while lounging and sharing two-dollar PX quarts of Jack Daniels, they discussed survival and death. “We spent a lot of time talking about inane things,” Garner says. “It was our way of seeking balance at times when we didn’t even realize we had lost it.”

Garner also includes accounts of combat. He reports on good results and bad ones, including watching an explosion and fire consume two close friends. Stories about combat during the 1968 Tet Offensive are his best reporting.

His voice projects adult certainties fogged at times by childlike awe in response to the extraordinary. His ability to drag forth memories from fifty years ago amazes me. His descriptions of interactions between friends and foes repeatedly delighted me.

As much as it is a war memoir, Brothers in the Mekong Delta also resembles a textbook on finding direction for the future. The book should be mandatory reading for high school students.

Finding design within a kaleidoscope of emotions, Garner wraps up his observations with a mini-sermon that serves as a grisly reminder of the “strange maturity” brought on by war and the difference between “good” and “right” in combat. Both ideas translate to everyday living. He suggests that understanding the difference of the latter borders on a sacred miracle.

Garner in Afghanistan

In opposition to such absolute certainty, Garner cites a remark by David Taylor that concluded a deep philosophical discussion:

“Course, you realize how seriously fucked up that actually is.”

Garner is his own best example of applying method toward outcome. Today, he is a professor at Mississippi College, as well as an adjunct at Tulane University and Belhaven University in Homeland Security and Counterterrorism. In addition to his doctorate in counseling psychology, he is working on a second PhD at the University of Southern Mississippi.

Godfrey Graner retired from the Army in 2006. He wound up serving two military and six civilian government-related tours in Afghanistan as an intelligence analyst. He has written several books and more than fifty magazine articles on counterinsurgency.

—Henry Zeybel

Storms Over the Mekong by William P. Head

William P. Head’s fascination with the Vietnam War stemmed from the number 176 he drew in the 1969 Selective Service lottery, which put him on the verge of being drafted into the U.S. Army. Many of his friends did serve, and some never came home, he says. Head had entered college in 1967, eventually earned a doctorate degree, and became a United States Air Force historian—as a civilian—and Chief of the Office of History at Robins AFB, Georgia. Over the past thirty-plus years, concentrating mainly on the Vietnam War, he has written and edited many books and articles about warfare.

Head’s latest book, Storms Over the Mekong: Major Battles of the Vietnam War (Texas A&M University, 480 pp. $40.00, hardcover; $24.99, Kindle), approaches the war by presenting and analyzing “the most significant and game-changing combat events” as he sees them. Head chose the events he says, based on the consensus of “the opinions of reputable participants, scholars, and analysts.”

The book begins in 1963 with the Viet Cong defeating the South Vietnamese Army at Ap Bac. It ends with the North Vietnamese Army capturing Saigon in 1975. The battles fit into two categories: “War on the Ground” and “War in the Air.” Head presents them chronologically, thereby pretty much telling the story of the entire war. He looks at ground encounters at Ia Drang Valley, Khe Sanh, Saigon and Hue during the 1968 Tet Offensive, Hamburger Hill, the 1972 Easter Offensive, and Xuan Loc. Interspersed air battles describe Rolling Thunder, Arc Light, Commando Hunt, and Linebackers I and II.

Some of the accounts previously appeared in other places, Head says, but he has revised them with “current data and historical information.” His studies of Rolling Thunder and the Easter Offensive are new work.

The book repeatedly claims that, despite America’s extravagant investment of manpower and money at the start of its military commitment, national unwillingness to fight a protracted war against a determined enemy was the fundamental reason for the conflict’s outcome.

Head recreates the self-defeating hesitancy of President Lyndon Johnson and Secretary of Defense Robert McNamara to apply air power over North Vietnam during Rolling Thunder in 1965-68. Head describes the operation as “Too Much Rolling and Not Enough Thunder.”

Johnson’s fear of greater Chinese or Soviet intervention in the war dictated his reticence throughout this time, Head says. Paralleling that feeling was Johnson’s contemptuous disregard for his generals’ opinions, which contradicted the respect shown to them in past wars. At the same time, Head faults the generals’ acceptance of unimaginative and ineffective strategies.      

The voices of political and military leaders from the U.S., South Vietnam, and North Vietnam are heard throughout the book. Background on North Vietnam’s planning and execution of Tet are particularly enlightening.

Head typically analyzes battles from high levels of command. Even the 1969 Battle of Hamburger Hill, in which American infantrymen paid an enormous toll, is overwhelmingly viewed from the battalion commanders’ level. In recalling the “senseless nature” of eleven attacks in ten days, Head quotes just two sentences from grunts.   

When editorializing, Head stays within reason, and his conclusions are to the point. For example, in the chapter about Hamburger Hill, he calmly names and indicts certain commanders for starting—but mostly for continuing—a battle in which significant casualties resulted and nothing was gained. He concludes that the defeat at Ap Bac was “a wake up call that the United States would have to take over the fight, the path American leaders chose twenty months later.” He summarizes the frustration bred by presidentially decreed air strategy as “what you get when airmen do not fully control air assets and run an air war.” 

His assessment of the battle of Ia Drang Valley concisely consolidates the opinions of American and North Vietnamese thinkers. McNamara’s perceptive interpretation of the battle’s outcome is a high point of the book.

Bill Head’s overall conclusion about the war chastises America for not learning the primary lesson from its involvement and thereby committing itself to duplicating similar protracted wars in Iraq and Afghanistan. He judges this as a betrayal of all those killed in the Vietnam War.

Storms Over the Mekong provides a package of facts supported by voluminous footnotes and an extensive bibliography. Well-placed maps and photographs enhance the discussions. The book should serve as a handy reference for old timers, as well as a textbook for students and others newly interested in the Vietnam War.

—Henry Zeybel

What’s Going On by Michael Hayes

Before I began reading Michael Hayes’ What’s Going On: A History of the Vietnam Era (Tine Day, 139 pp. $19.95, paper; $9.99, Kindle) I wondered how it would be possible for Hayes to approach such a complex time in America’s history in such a short book. The U.S. was undergoing great turmoil over major and unresolved social issues in the midst of the Cold War. Incredibly, the United States then entered into a war in Vietnam that further fractured American society and intensified the fires of domestic discontent. Would it be possible to do justice in a short book to a very complicated era?

Hayes offers an abridged summary of the historical background to the Vietnam War with references to domestic social issues in the United States and key personalities. He flavors this overview with vignettes in the words of those who experienced the war and the era and with his own words illustrating personal incidents showing the divisions within American society and the abuse of power by those supposedly protecting the public.  

Hayes—who served in the U.S. Army during the Vietnam War and has taught U.S. history at the collegiate level—only briefly summarizes complicated events and issues. He often does this without the benefit of balance, when in many cases these topics are controversial. Perhaps he found this necessary in order to keep his book brief, but with an awareness that those issues warrant much greater clarification and amplification, perhaps in a lengthier book.   

The book is written in a style intended for an audience of readers younger than anyone with first-hand memories of the war and the social disunity of that period. The target audience is young adults, who are separated by a half century from that incredible time and are most likely uninformed about the pivotal events of their parents’ and grandparents’ world. Hayes has given them, in most cases, the bare essentials to minimally grasp what issues the American public—particularly war veterans—were confronting during that time of intense combat in Vietnam and serious social and political divisions at home. 

What’s Going On, then, is a sort of primer to whet the appetite of someone with little or no knowledge of the war or the era, and provides the basis for pursuing more comprehensive scholarship. To that end, Hayes provides in end notes and a three-page bibliography with recommended sources for further reading.

A minor criticism is the author’s occasionally one-sided account of history. I say this as a war veteran and activist who remains highly critical of the war, but who seeks impartiality in any discussion of it. Hayes, for instance, reminds readers how the Vietnamese people were subjugated by France’s imperialist policies, but never mentions that the Vietnamese were in their own right imperialists who subjugated non-Vietnamese people (the Chams, Montagnards, and Khmers). 

He also describes the heavy-handed policies of South Vietnamese president Ngo Dinh Diem, while failing to note the North’s brutal suppression of opposition groups. In today’s political climate objectivity is of key importance.  

That said, this book is a good starting point for anyone unfamiliar with the Vietnam War and its milieu. 

–John Cirafici

War Crimes by Martin Robert Grossman

War Crimes (Koehler Books, 276 pp. $29.95, hardcover; $17.95, paper, $5.03, Kindle) is Martin Robert Grossman’s second mystery novel featuring Jerry Andrews, a Vietnam veteran and recently retired Los Angeles Police Department detective. The former Green Beret is living in a peaceful village in northern Mexico when he gets a call from an old Army buddy, Jon Compton, a retired Texas Ranger. Compton asks Andrews to help him resolve an issue he’s taken on.

Seabrook, Texas, is a small fishing town near Houston. In the mid-1970s Vietnamese shrimpers who fled their homeland ended up working the coastal waters there. Feelings of prejudice, combined with fears of competition, led some locals to attack the newcomers and burn their boats. There also was at least one murder, and the influx of Vietnamese led to the appearance of a revitalized Ku Klux Klan.

Things calmed down and nearly two decades went by. But now the body of a Vietnamese male is discovered. He had been shot in the hard and had his throat cut. A playing card–an ace of spades with the Grim Reaper holding a scythe—was found on the body. Former Ranger Compton volunteers to help investigate. Then, following a second similar murder, he decides to ask his old buddy Jerry Andrews to join him.

Soon there’s a third victim, with mutilation added to it, and Compton tells Andrews they need to quickly solve these new murders “under the radar” before the situation causes a new race riot. But racist skinheads are already beginning to gather in town and a reporter for the local newspaper hopes to break the story wide open. After a fourth murder they know they’re after “a deranged serial killer” who is very likely a Vietnam War veteran.

There’s a broad cast of characters in this story, many with military backgrounds. There’s a nearby VA hospital and a private retreat set up for veterans. The founder of the latter is driven by a desire to slow down the numbers of brave men fought in the Vietnam War only to end up being killed by “the lifestyle” they’ve “been forced into by an ungrateful nation.”

Martin Grossman

The direct connection between War Crimes and Grossman’s previous novel, Club Saigon, in addition to the character of Jerry Andrews, is the illicit movement of cocaine and heroin between Vietnamese-American communities. In both novels the author frequently refers to Vietnamese people as “Orientals.” That term today is outdated, but at least its use is consistent throughout the two books.

After reading War Crimes and Club Saigon you could end up believing that every American who served in Vietnam left the war zone as damaged goods. Some did, but most didn’t. Remember that as you read these novels in which memories of the war eventually pour out in extremely violent fashion.

Grossman’s website is martinrobertgrossman.com

–Bill McCloud

The Puppy Predicament by Rachel Anderson

Rachel Anderson’s The Puppy Predicament (Late November Literary, 153 pp. $14.95, paper; $2.99, Kindle), is a delightful story for young readers. This is Anderson’s first children’s novel and came after many years of her carrying the story idea around with her.

The story, in a nutshell: Emily Hanover is a sixth grader living with her parents in rural America during the Vietnam War. Her brother, Greg, is serving there. So is a neighbor, Paul.

The family’s clothes are hung to dry on a line in the backyard and the family has to wait their turn to use their telephone because they’re on a party line. Oh, and the neighbors, Paul’s parents, have a dog who has just given birth to a litter of ten puppies. Emily hears the neighbor refer to the newborns as “mutts” and fears the fact they could be in danger.

Her parents won’t let Emily have one of the puppies, but she gets a wagon and takes the mother and her pups to a hidden place. In her mind she has rescued them. She worries about how she’s going to keep them hidden and how she can feed them. These concerns are added to another one that never seems to go away. She worries about her brother and knows her parents and neighbors worry, too.

At school her teacher points to Vietnam on a world map. To Emily it seems her brother is so far away he “might as well be on the moon.” Still, Emily wishes she could go there and bring him back home.

One day the neighbors learn their son is missing in action. When Emily hears the news she immediately thinks her brother will be able to find his friend. Work on the farm goes on, school goes on. A cousin tells her how “brave” she was to rescue the puppies, giving her a sense of pride, and the feeling that her brother and his friend are both really brave, too.

But now her mom seems to be different. More serious, kind of sad. Emily sneaks an envelope out of her mother’s apron. It’s a recent letter from her brother in which he writes of danger and being afraid. Anderson explains Emily’s reaction this way: “Emily put the letter on the floor, pulled her knees to her chest and bawled. Nothing would be the same now that she knew the truth. Nothing.”

Rachel Anderson

Fortunately, Emily has those ten puppies to focus on and to keep her from worrying too much about her brother. But then the letters stop coming.

While her Mom says, “No news can be good news,” Emily is not so sure.

Aimed at a reading level of 7-12 years, this engaging, fast-moving story covers serious issues and does so in a serious manner. But it’s appropriately upbeat ending will make it a book youngsters will be glad they read and older folks will be happy to share it with their children and grandchildren.

–Bill McCloud

Boot by Charles L. Templeton

Charles Templeton flew more than 150 missions as a U.S. Marine Corps helicopter crew chief in the Vietnam War from 1968-69. His book, Boot: A Sorta Novel of Vietnam (S. Dogood Books, 317 pp. $14.99, paper; $2.99, Kindle), is made up of 37 short, disconnected chapters. The chapter titles tend to be wacky and whimsical. For example: “The Artists of Dong Ho,” “Panty Porn,” “Ly Cu Chi,” “Our Body of Hue,” “On the Road to Shambala,” “The Wisdom of Wombats,” “Operation Corduroy Peach,” “Dien Cai Dau,” and “Mystic Foxhole Yacht Club Bowl.”

All the chapters of this excellent book are well-written and interesting. Many are humorous; some are horrific and intensely graphic. The book is also sprinkled with bits of poetry by Vietnam War veteran Bill McCloud. Those poems are deftly presented to support the narrative.

Boot appears to be part memoir (it often seems as though it was written from notes Templeton took at the time) and part phantasmagorical novel. The protagonist is George Orwell Hill, or G.O. The book tell stories of G.O.’s life as a Marine in Vietnam, what he learns about the country and its people, and the impact his war experiences had on for life.

The author effectively develops believable and sympathetic characters, while simultaneously communicating the diversity of experiences and backgrounds of these characters who have been thrown together to work as a unit during a war.

Charles Templeton

I have read the chapters of this fine novel multiple times and what I am always left with is Charles Templeton’s clear intent to communicate an honest, authentic picture of the Vietnam War Marine Corps experience, as well as the complexity of factors specific to the Vietnam War, and the consequences of war that last far beyond its supposed end.

I enjoyed reading all 37 chapters of this book (as well as the prologue and epilogue) and wish there were more.

I recommend Boot to those looking for a well-written, unique, and interesting literary look at one man’s tour of duty in the Vietnam War and its aftermath.

The author’s website is charlestempleton.com

–David Willson

One Degree by Gus Kappler

Gus Kappler’s One Degree: An Historical Medical Mystery (BookBaby, 262 pp. $13.95, paper; $2.99, Kindle) is a mix of fact and fiction with a strong Vietnam War theme. Dr. Kappler did a tour of duty in the Vietnam War as an Army trauma surgeon at the 85th Evacuation Hospital in Phu Bai in 1970-71.

In this novel, after Pfc. Richard Burrows is wounded, he is treated at a field hospital in Saigon, then medevaced to Japan, and later sent to Walter Reed Army Medical Center in Washington D.C. After a few months at Walter Reed Burrows seems to be improving, but then suddenly takes a turn for the worse and is in danger of losing both his legs. He then dies of cardiac arrest. When he does, one of his doctors wonders, “What did we miss?”

A lab technician at Walter Reed, Matt Rogowicz, blames himself for Burrows’ post-op death because of what happened a few weeks earlier. Rogowicz had examined a slide of Burrows’ blood and detected an abnormality in a white cell. But there were no reports in the medical literature about such a distortion in infection-fighting white blood cells. Rogowicz could not convince his superiors that this was something that required further investigation and then his patient died.

After leaving the military, Rogowicz becomes obsessed with the tragedy and decides to spend however long it takes to get to the bottom of it. He learns about two more seemingly similar deaths and cover-ups of the circumstances surrounding the deaths. He blames himself even more, and soon exhibits PTSD symptoms, as do others he interviews. There’s a question of whether exposure to Agent Orange could be an issue, and there is a rumor that a Vietnamese worker may have placed a Russian-made toxin in the food in American mess halls.

Then China comes into the picture and things really pick up. There’s a possible connection to Big Pharma, a pharmaceutical conglomerate that had, Kappler writes, “allied with giants in other industries to create and sustain a consortium of players that, in the real sense of the word, ruled the world economically and politically.” This “ruling class” decided to try to control the most powerful man in the world and began grooming a corrupt U.S. senator for a run at the U.S. presidency.

As Rogowicz’s mission drags on for years, it becomes a life-changing experience. He’s not going to stop until he gets this particular monkey off his back. He joins with a handful of other Vietnam War veterans who bring in others who have experience with the mystery disease.

Dr. Kappler, fourth from left, with other 85th Evac surgeons in Chu Lai

Kappler’s dialogue does not come off as natural. He often uses what his characters say as a way of providing information for the reader as characters spit out facts. The brief section of the book that takes place in Vietnam includes several tropes. The VC, for example, turn Claymore mines around to face the GIs; there is a “newbie” First Lieutenant; and pilots survive “several crashes.”

Overall, though, the medical mystery part of this hybrid novel kept me engaged.

Kappler’s website is guskappler.com

–Bill McCloud

Snow in Seattle by Amy M. Le

snowinseattle

Amy M. Le’s Snow in Seattle (Quill Hawk Publishing, 262 pp. $16.99, paper; $3.99, Kindle), hardcover; ) is a work of fiction based on a true story that continues the tale she began in her very enjoyable debut novel, Snow in Vietnam. The adventures of members of her family serve as the basis for both novels.

Snow is the name of the main character. Along with her young daughter and teenage nephew, she fled Vietnam a few years after the takeover of the south by communist forces. Snow in Seattle begins about six months after the end of the previous book.

Snow relocates to Seattle after being sponsored by Skyler Herrington and hosted by the First Evangelical Presbyterian Church. Herrington was the best friend of Cpl. Sam Hammond, the American soldier Snow loved in Vietnam. Hammond was killed in action in 1972.  Herrington and Snow are both dealing with PTSD as a result of their experiences in Vietnam. Different ghosts haunt them. As Snow puts it: “I am tired of living within my memories.”

It’s early 1980 and people are still talking about the recent eruption of Mt. Saint Helens. Snow has lots of adjustments to make. There are cold mornings, and for a while she notices she is continuing to eat the plentiful food at the family’s table even after she is full. She eventually needs to get a job and learn to drive so she can get the independence she longs for.

Raising her young daughter and teenage nephew in the U.S., sending them to local schools and watching them play with neighborhood kids, she’s determined to try to instill Vietnamese values, beliefs, and identity into them. “We may be living among the Westerners,” Snow says, “but we must never give up our roots.”

While reading Snow’s story of learning to make a new home in America we have a chance to see the many things that we take for granted. It’s especially notable as the family experiences new foods, American holidays, and sayings that are commonplace but require a serious familiarity with the language to understand. After a year, the family is speaking two languages at home while constantly keeping the television on to continue to learn English.

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Amy Le

What I especially enjoyed about Le’s two novels is her literary mastery of real life. As you read the book’s dialogue it’s as if you’re actually hearing the words with your ears instead of reading them with your eyes. That is a true gift.

Too often, even today, when people say the word  “Vietnam,” they are referring to the Vietnam War. Le’s novels, based on her family’s true story, help American readers see that Vietnam is a country, not a war–and one that many of its people felt forced to flee. It’s the amazing strength of those people that Le illustrates so well in these novels.

The author’s website is amy-m-le.com

–Bill McCloud

Who’ll Stop the Rain by Doug Bradley

If there is someone who knows more about popular music and the Vietnam War than Doug Bradley does, please come to the head of the class. Bradley has immersed himself in what he and other troops listened to since he set foot in Vietnam in 1970. For years he taught a class at the University of Wisconsin called “The Vietnam Era: Music, Media, and Mayhem.”

What’s more, Bradley co-wrote, with Craig Werner, We Gotta Get Out of This Place: The Soundtrack of the Vietnam War (2015), a compendium of all things Vietnam War-era music. “For anyone who wants to know about music and the Vietnam War, this is the book to read,” David Willson wrote in his VVA Veteran review of that book. Bradley and Werner “have given us a gift, a compendious book that looks at the music we rock-and-roll-generation Americans who served in the Vietnam War listened to.”

Doug Bradley’s latest book, Who’ll Stop the Rain: Respect, Remembrance and Reconciliation in Post-Vietnam America (Warriors Publishing Group, 258 pp. $34.99, hardcover; $14.95, paperback; $5.99, Kindle) picks up where the previous book left off—but also expands the subject broadly. The heart of Who’ll Stop the Rain is a detailed report on more than 100 book-and-music presentations around the country that Bradley—who was drafted into the Army in March 1970 and served for a year as an Army journalist at USRV headquarters in Long Binh—and Werner hosted following publication of their book.

What they found time after time at their presentations was that popular music bound together Baby Boomer Vietnam War veterans as well as those who did not serve—no matter what their political persuasions. “The music of the era,” Bradley writes, “can help ground us, get us out of the quagmire, by moving us away from [political] polarizations. Music truth is complex, an implicit recognition that no one voice can tell the whole story, that our public memory is inescapably plural.”

That became especially clear during the Q&A sessions following the presentations. His audiences, Bradley says, “didn’t do the usual griping or head shaking; instead, they listened, intently and respectfully, to what all sides had to say.” Nearly “every conversation eventually moved to somewhere in the middle, and, in the end to some type of communal healing, with every person who stood up and shared—veteran and non-veteran—feeling as if they had been heard.”

Doug Bradley on the job at USRV HQ

The issues that came up during the presentations ran the gamut of Vietnam War and postwar subjects. They included Agent Orange, PTSD, veterans’ homelessness, the VA’s Vet Centers, wannabes, Veterans’ Courts, The Wall and other Vietnam veterans memorials, and Vietnam War movies and books. Throughout the book Bradley intersperses first-person sections, told mainly by Vietnam War veterans, about those and other aspects of the war and veterans issues.

Along the way, Bradley takes care to highlight the postwar accomplishments of many Vietnam veterans, including writers and Vietnam veterans advocates. That group includes W.D. Ehrhart, Alfredo Vera, Karl Marlantes, Steve Piotrowski, Shad Meshad, Bob Fraser, John Ketwig, Kimo Williams, Chuck and Tom Hagel, Sue O’Neill, and Mary Reynolds Powell.

Their words are varied, powerful, and important. As is this book.

–Marc Leepson