The Displaced edited by Viet Thanh Nguyen

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“What is a refugee like?” asks the author Vu Tran, who fled Saigon as a child and grew up in Oklahoma. He poses that question the timely and moving book, The Displaced: Refugee Writers on Refugee Lives (Abrams, 190 pp. $25, hardcover; $15.99, paper; $9.99, Kindle), edited by the award-winning novelist Viet Thanh Nguyen.

Vu Tran offers three answers. Like an orphan, bereft of “the familial bonds of her homeland, her native community and culture and customs.” Like an actor, who often “is one person at home and another person at work or at school or simply in public.” Like a ghost, who “can be invisible even though her presence is felt.”

Viet Nguyen is himself a refugee, having left Vietnam with his family in 1975 at the age of four. Three years later the family settled in California. He has gone on to a distinguished career: professor of English and American Studies and Ethnicity at the University of Southern California; 2017 MacArthur Foundation fellow; and the recipient of the 2016 Pulitzer Prize for Fiction for his Vietnam War-heavy novel, The Sympathizer.

“I believe,” Viet Nguyen writes in his introduction, “in my human kinship to those 65.6 million people that the United Nations classifies as displaced people. Of these, 40.3 million are internally displaced people, forced to move within their own countries; 22.5 million are refugees fleeing unrest in their countries; 2.8 million are asylum seekers. If these 65.6 million people were their own country, their nation would be the twenty-first largest in the world.”

The book originated with the publisher, Viet Nguyen explained during a recent wide-ranging recent interview with the Los Angeles Review of Books:  “The editor there is Jamison Stoltz, and he came at me out of the blue, said, ‘I want to do a book about refugees.’ This was around the time Trump’s Muslim ban had been announced. He came up with half the writers, and I came up with half the writers. The criterion we used was that they had to be refugees and writers.”

Abrams is donating a portion of the book’s profits to the International Rescue Committee.

The seventeen contributors were born in Afghanistan, Bosnia and Herzegovina, Chile, Ethiopia, Germany, Hungary, Iran, Mexico, the Soviet Union, Thailand, Vietnam, or Zimbabwe, and settled—often with several stops on the way—in Canada, England, Pakistan, South Africa, and the United States.

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Viet Nguyen

“All of these writers are inevitably drawn to the memories of their own past and of their families,” Viet Nguyen writes. “To become a refugee is to know, inevitably, that the past is not only marked by the passage of time, but by loss—the loss of loved ones, of countries, of identities, of selves. We want to give voice to all those losses that would otherwise remain unheard except by us and those near and dear to us.”

It is, he concludes, “a writer’s dream, that if only we can hear these people that no one else wants to hear, then perhaps we can make you hear them, too.”

–Angus Paul

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  Other Dreams by Marc Levy

Former Vietnam War Army Medic Marc Levy’s Other Dreams (Telegraphos Press, 361 pp., $18, paper; $4.99, Kindle) is another amazing book from the author of Dreams, Vietnam and How Stevie Nearly Lost the War. I never figured that Levy would produce a dream record to top his first book in this series. But he has done it—in spades.

“You are about to read a rare and valuable gift to human understanding and to dream research,” G. William Dormhoff, the author of The Emergence of Dreaming, says of Levy’s new book.

This is an understatement. Levy has endured PTSD for most of the last fifty years. I can’t help but think of something my mom told me thousands of times when I was growing up. “If life gives you lemons, make lemonade.” If Marc Levy has done that here by writing about some 250 of his dreams, this lemonade is the best drink ever created from the swamp water of war.

The best friend any survivor of war can have is a dog, and Levy’s first book presented dogs in that loving context. This book, though, boggled my mind with dog references: dogs in general were encountered dozens of times, but also specific dogs—pit bulls, talking dogs, three-hundred-pound dogs, German Shepherds, Golden Retrievers, Shepherd-setter mixes, Huskies, a big blue dog, Siberian Huskies, seal pups, a Degas dog, a huge shaggy dog, a Weimeraner, a black lab, and more.

The poet makes the statement at least once in a recorded dream, “I love dogs, too.”

My only complaint about the book is that it lacks Levy’s fabulous drawings. His word images compensate for this. But still…

Other Dreams benefits from slow, careful reading, like difficult modern poetry. Not since I read Saul Bellow’s Henderson, the Rain King, have I been so struck by the recurring motif of animals in a work of modern literature. Dogs, certainly, as mentioned above, but also cats, seals, a bull with no ears, hawks and eagles, ducks, cattle, horseshoe crabs, polar bears, foxes, butterflies, water bugs, swans, rabbits, mice, a beast man, kittens, goats, rats, ticks—and Jane Fonda.

On December 8, 2016, Levy tells us, he dreamed:

“I’m in a war zone with another person, possibly my brother, walking along a moonlit, snowy path. We pass a wide-open, snow-covered field. I say to the other person, ‘Hey buddy… hey buddy… just keep walking.’ I’m aware that at any moment we may be shot. Each time I say, ‘Hey, buddy…’ the other person tries to crowd me off the path. ‘Hey, buddy… Hey buddy,’ I say, pushing back, ‘Just keep walking.’”

This dream has elements of poetry, story, and song, and I feel fear in every line. Also, mystery and malice.

It was brave of Marc Levy to commit this dream to print, and I honor that bravery. Levy is always just one short dream away from being back in the jungles of Southeast Asia. I thank him for sharing the war he survived in that jungle. It is a scary place. 

Once you have read Marc Levy’s dream books, I recommend his classic volume of short stories, How Stevie Nearly Lost the War and Other Postwar Stories.

Stay tuned for his next work. I’ve been informed it is coming soon.

–David Willson

Courageous Women of the Vietnam War by Kathryn J. Atwood

In Courageous Women of the Vietnam War: Medics, Journalists, Survivors, and More (Chicago Review Press, 240 pp. $19.99, hardcover; $12.99, Kindle), Kathryn Atwood examines the American War (as the Vietnamese call it) and the Vietnam War (as Americans know it) from the perspectives of women from both sides—including the French who started it.

In this young adult book Atwood presents the war through the eyes of a French Army nurse captured by the Vietminh at Dien Bien Phu; a South Vietnamese revolutionary inspired by Ho Chi Minh; Joan Baez trapped in Hanoi during the Operation Linebacker II bombing; and eleven other vignettes.

Atwood’s accounts blend the women’s actions into an overall picture of the war. Therefore, the book covers material familiar to students of the war, but it also serves as a primer for younger readers. I was familiar with the lives of only four of the women. At the end of each chapter, Atwood lists two or three books suitable for further study on the topic she just covered.

K.J. Atwood

The book’s story line begins with the Viet Minh Revolution led by Ho Chi Minh, and progresses through the Ngo Dinh Diem Civil War and the machinations of Presidents Lyndon Johnson and Richard Nixon.

In her book Atwood gives life to people who otherwise might be forgotten. For the most part, without wielding weapons, the women featured in the book faced dangers equal to those faced by many men who saw combat.

Atwood praises the women for their contributions to their countries. She writes about more American women than Vietnamese.

She is the author of three previous YA books about heroic women who served in World Wars I and II. “Young people might not believe they like history,” she says, “but [they] might be enticed toward interest in a particular historical woman if the narrative is compelling.”

In Courageous Women of the Vietnam War, Kathryn Atwood makes the personalities tick for readers of any age.

Her website is kathrynatwood.com

—Henry Zeybel

Reflections on LZ Albany by James T. Lawrence

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James T. Lawrence’s Reflections on LZ Albany: The Agony of Vietnam (Deeds Publishing, 192 pp., $19.95, paper; $9.99, Kindle) is collection of rich personal essays, and is a different type of book on war.

The book captures the essence of the hearts of soldiers in combat, as well as the fears and challenges they faced. It is a book packed with true emotions from a man who was there in the early days of the Vietnam War.

Lawrence pulls the reader in with his opening essay, “The Band of Brothers,” introducing the bonds of brotherly love forged in the fires of combat. Lawrence is a former First Cavalry Division infantryman who bore the weight of leadership in combat. He survived a paralyzing head wound in the vicious fighting at Landing Zone Albany during the bloody November 1965 Battle of the Ia Drang Valley. While he was waiting in a medical tent with other wounded men he heard last rites being given amid the moans of men in severe pain.

Lawrence also brings the reader the joy of knowing war-time friendships—and the lasting sorrow of losing closing friends, something he describes in his rich essays “Conversations with a Tombstone,” “Voice from the Wall,” “The Premonition,” “Bringing in the Hueys,” and “Albany.” In “Just Don’t Ask Me,” Lawrence lays bare the pain of combat and suffering, and the realization of  lines of civility being crossed during war that can never be uncrossed.

Lawrence brings rich feelings to the surface. The reader can almost see him searching for young love in “She’s Out There” and feeling something  very different in “Dear John.” In the “Valley of the Shadow of Death,” he takes you into the triage tent with a chaplain. Lawrence’s prose immerses the reader in the intensity of the suffering in that dark and hot makeshift emergency room.

In “It’s All Over,” he describes what happens after he orders his first real meal in a restaurant after coming home from the war:

“And for the first time, the young ex-officer realized that the people back home, with the exception of family, had no idea what was going on in Southeast Asia and could care even less.  He had been in a battle where over 150 of his colleagues had been killed and over 120 wounded, including himself, but nobody knew and nobody gave a damn.

Evacuating a casualty from LZ X-Ray. Photo by Joe Galloway

“Now in his first day as an American civilian, he felt alone, isolated, unacknowledged, and unappreciated in a city of millions whose freedoms he thought he had fought to protect.  And for the very first time, he asked himself a question. Why?”

Jim Lawrence has captured the soul of soldiers in war in Vietnam. He speaks truth to the emotions of those who fought so hard and paid such a price.

This is a must read for students and scholars And for political and military leaders to help them realize the costs they ask to be paid when they send troops into harm’s way.

–Bud Alley

Inheriting the War edited by Laren McClung

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Laren McClung is a poet and the author of a book of poetry,  Between Here and Monkey Mountain  (2012) Her father served a 1968-69 tour of duty in the Vietnam War with the 173rd Airborne.

In Inheriting the Wind: Poetry and Prose by Descendants of Vietnam Veterans and Refugees (Norton, 400 pp., $19.95, paper) McClung has included the work of a fair and balanced assortment of forty-four veterans’ descendants. The list of familiar and non-familiar Vietnam War veteran writers and poets’ surnames includes Lily Katherine Bowen, Linh Dinh, Heinz Insu Fenkle, Adam Karlin, Elmo Keep, Ada Limon, Bich Minh Nguyen, Andrew X. Pham, Monica Sok, and Hanh Nguyen Willband.

The book—with a Foreward by the acclaimed poet (and Vietnam War veteran) Yusef Komunyakaa—is arranged alphabetically by author’s last name. McClung gives a brief bio at the beginning of each section, providing just the right amount of information iabout the authors and translators. McClung does a commendable job digging up new and different writers representing all the groups that made the Vietnam War possible by their participation and those who now have a life of suffering due to that war.

We’re told early in the introduction that the United States sprayed 5.5 million acres of land in Vietnam with Agent Orange. This toxin sickened both Western troops and Vietnamese, and is a theme throughout the book in poems and stories.

Hoa Nguyen, for example, writing after Emily Dickenson in “Agent Orange Poem”:

 

What justice foreigns for a sovereign

We doom in nation rooms

Recommend & lend resembling fragrant

Chinaberry spring

Here we have high flowers  a lilac in the nose

“The Zeroes—taught us—Phosphorus”

and so stripped the leaves to none

Thanks to Hoa Nguyen for this fine poem. The quality of work in this book is always high and always thought provoking, as this poem was to me.

This isn’t a book to read a bedtime.  At least it wasn’t for me. I found it seriously disturbing on almost every page.

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Laren McClung

My favorite prose piece is “The Gangsta We Are All Looking For” by Le Thi Diem Thuy. My favorite sentence in the essay is: “When we moved in, we had to sign a form promising not to put fish bones in the garbage disposal.”

I laughed, out loud, when I read that sentence.

The author’s family had moved into old Navy housing in Linda Vista, California. I thought about the tales the garbage disposal could tell if it could talk. I guess it’s just as well it can’t.

A huge amount of work went into the success of this book, and I thank Laren McClung for it.

—David Willson

 

Proud to be a Marine by C. Brian Kelly and Ingrid Smyer

Brian Kelly and Ingrid Smyer’s Proud to be a Marine: Stories of Strength and Courage from the Few and the Proud (Sourcebooks, 416 pp. $18.99, paper; $9.99 Kindle) is replete with Marine Corps historical accounts from before the Revolutionary War through today’s struggles in the Middle East. Some stories are well-known; many are not.

Kelly—a former editor of Military History magazine who teaches newswriting at the University of Virginia, and his wife Smyer, a free-lance journalist—are superior storytellers. Their writing is further enhanced by their dogged, in-depth research and their attention to detail. They also are the authors of the Best Little Stories series of history-based books.

Proud to be a Marine contains nearly eighty well-indexed short essays about Marines and the Marine Corps, arranged mainly in chronological order. It can be read leisurely, one story at a sitting, but I couldn’t put it down and read the book in record time.

To help new recruits build esprit de corps and self-confidence Marine Corps boot camp includes the mandatory study of USMC history. This training, plus a lifelong attachment to “Our Corps,” causes most Marines to believe we have a good handle on Marine Corps history. In this book, you are sure to expand your knowledge of that history.

Here are a few examples:

* Two Marine Corps officers who had fought side by side storming the Halls of Montezuma in 1847 found themselves fighting against one another in 1861 at the Battle of Bull Run.

* Lt. Gen. Victor H. Krulak, a veteran of World War II and the Korean and Vietnam wars, was a true visionary and possibly the most important officer in the history of the Marine Corps.

* Capt. Michael Capraro, Information Officer for the 1st Marine Division in Korea, proved the doctrine that “All Marines are, first and foremost, 0311 Riflemen.”

* Canadian-born Capt. Bill Dabney, a Vietnam War infantry officer, married the daughter of the legendary Gen. Lewis B. “Chesty” Puller (in photo below). How intimidating would that be, stopping by Chesty’s house to pick up his daughter for a date?

* Sgt. Dakota Meyer received the Medal of Honor for his heroic actions in Afghanistan. In this book we learn how he handled his call from the White House.

The final chapter, “And Never to be Forgotten,” contains abbreviated biographical sketches of twelve famous (and infamous) Marines, including John A. Lejeune, John H. Glenn, and even Lee Harvey Oswald.

Proud to be a Marine is an easy, enjoyable, and educational read for Old Salts and non-Marines alike.

—Bob Wartman

The Vietnam War in Popular Culture, Vols. I & II, edited by Ron Milam

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Ron Milam, a Texas Tech University history professor who served in the Vietnam War and has written widely about it, has done an excellent job putting together the two-volume The Vietnam War in Popular Culture: The Influence of America’s Most Controversial War on Everyday Life (ABC-CLIO/Praeger, 772 pp., $164), a valuable collection of wide-ranging essays by more than three dozen contributors.

The first volume’s entries focus on aspects of popular culture (primarily movies, music, television shows, magazines and newspapers, and fiction and nonfiction literature) that hit the scene during the war. The second volume looks at the same areas in the years since the war ended in 1975. Nearly all the essays are from university professors; more than a few teach at Texas Tech. The noted Vietnam War historian George Herring contributes an excellent introduction.

Highlights in Volume I include Beverly Tomek’s hard-hitting essay, “‘Hanoi Jane’ and the Myth of Betrayal: The Cultural War on the Home Front,” and Roger Landes’ “Barry Sadler and ‘The Ballad of the Green Berets.'” As the author of the first biography of Barry Sadler (Ballad of the Green Beret: The Life and Wars of Staff Sgt. Barry Sadler), I am pleased to report that Landes—a music professor at Texas Tech who teaches the history of rock and roll—presents an excellent, in-depth look at Sadler’s song, which sold nine million copies and was the No. 1 single of the year in 1966. He used the best sources and his conclusions about why the song went viral twenty-five years before the birth of Internet are right on the money.

The essay that stood out for me in the second volume is Lindy Poling’s insightful (and cleverly titled) “Encouraging Students to Think Outside the ‘Box Office,'” which reports on a survey of students who took her innovative one-semester elective class, “Lessons of Vietnam.” Poling created that course and taught it from 1997-2011 at Millbrook High School in Raleigh, North Carolina.

 

r-1472846-1266535399-jpegIn her essay, Poling reports on what her former students told her about their knowledge of the war before taking the class and how what they learned (from studying a wide variety of perspectives on the war, hearing from Vietnam War veterans, and visiting The Wall in Washington, D.C.) changed their perceptions of the war and those who took part in it.

Poling found that 55 percent of her students “entered the course with Hollywood film and popular media-based preconceptions” of the war and its veterans; 25 percent had learned about the war mainly from their parents or other adults; and the rest knew “very little” about the war.

After immersing themselves in learning about the war in her class, Poling found that many of them were motivated “to personally investigate and gain a better understanding of what was happening during the Vietnam era, both at home and abroad. In addition, these students come to sincerely appreciate the tremendous sacrifice of our veterans, as well as those who fought for South Vietnam.”

What’s more, she writes, most of her former students no longer rely on Hollywood movies for their understanding of the Vietnam War.

That good news led Poling to her conclusion: “Yes, they truly have learned to think outside the box office!”

—Marc Leepson