Incident at Dak To (257 pp. $14.95, paper; $4.99, Kindle) by Louis Edward Rosas is a very enjoyable military-procedural science fiction story that brings to mind pulp novels of the Vietnam War era. If this book had been serialized in a monthly science fiction magazine 50 years ago it would have been well received.
In the book, we learn that Army Capt. Jay Swift wrote his Vietnam War story in a pocket journal in 1967, making it possible for him to relate it to us today. Swift and his buddy Fred Mason apparently worked for the CIA in Vietnam. They experienced combat in the war and still occasionally wore their Army uniforms, but mainly worked in civilian clothes. When asked what they did they said, “We are field analysts.” Their official job was to “locate and acquire exotic foreign technologies,” meaning things the Soviets and Chinese may have been ahead of the U.S. on, with the goal of reverse-engineering the stuff to our nation’s advantage.
They get called off an assignment in the Middle East to go to Vietnam to investigate an object of unknown origin that’s been recovered from a crash site near Dak To. The site, Rosas writes, “is smack in the middle of an enemy tunnel complex that was nearly overrun by combined NVA and Viet Cong forces. Whatever crashed there is of deep interest to them.” The recovered object was placed in a supposedly secure vault in the basement at the American Embassy, but then disappeared.
There had been reports of a fast-moving aircraft that “appeared as a glowing light in the night sky.” The object seemed to carry a “radiation signature,” and Swift’s initial thinking was that his assignment probably didn’t have anything to do with the war, and that whatever the object was had just dropped into the war zone. The two men are put up in an air-conditioned room with bulletproof windows in Saigon’s Caravelle Hotel where they worked day and night trying to get to the bottom of the mystery object.
The fun kicks in when Swift is told of “a blue-white fireball,” a “large impact crater,” a weird fog that suddenly appeared, and M16s that were strangely disabled. Then come missing witnesses, dissolving bullets, and encounters with Men in Black who walk through walls and always seem to be one step ahead of Swift and Mason.
This fast-moving story is told sometimes in third person, other times in first person, in cinematic-like form. Louis Edward Rosas, whose father served in the U.S. Army in the Vietnam War, never gets in the way of his storytelling as he takes the reader on a wild ride.