Elsewhere Than Vietnam by David Schwartz

Elsewhere Than Vietnam: A Story of the Sixties (261 pp. Sticky Earth, $11.99, paper; $3.99, Kindle) is a quite enjoyable novel. The author, David Schwartz, served as a U.S. Army Czech language intelligence interrogator in Germany from 1969-72. The title comes from a 1971 Armed Forces Journal article by Col. Robert D. Heinl, Jr. in which he wrote that the morale of U.S. troops in Vietnam was lower “than at any time in this century and possibly in the history of the United States.” The colonel then added: “Elsewhere than Vietnam, the situation is nearly as serious.”

It’s the “elsewhere” that this story is concerned with, mainly antiwar protests on college campuses and underground resistance in the active-duty military, both in the U.S. and on bases abroad.

Schwartz’s main character Steven Miller is a student at Yale University in 1968 and, along with all the other young men on campus and around the nation, he finds that he is constantly thinking about the military draft.

“We knew the war was wrong,” we learn from Miller, “and we didn’t want to be involved in it.” Before long, though, he loses his student deferment and receives a draft classification of I-A, fit for service. “Fit to shoot people,” Miller thinks, “and fit to be shot at in return, simply because their ideas were not our ideas.” He begins attending meetings on resisting the draft. And then he gets a letter to report for induction.

Miller realizes he’s not brave enough to flee to Canada and wonders if his new girlfriend will wait for him for a couple of years. At Fort Dix he passes the stockade and hears another GI say, “The Army had to invent something worse than Vietnam to get people to go there.”

He begins “learning how to soldier. The soldier was the opposite of the student. The student should engage in critical thinking; the soldier should not question what he is told.” Miller’s goal is to avoid being sent to Vietnam. So he agrees to extend his service time a year in exchange for being sent to the Army’s Czech language school. Whenever possible, he goes off base to a local coffeehouse, the headquarters of a local radical newspaper and the scene of frequent antiwar discussions.

Miller graduates from language school and is sent to Fort Holabird in Baltimore for interrogation training. Here he learns that “it is a misconception that you need a cruel streak to excel as an interrogator. You just need to be a good actor.” Nothing is said about physical torture.

Miller’s then shipped to Germany where he works on developing intelligence reports. A German girl tells him that Americans are always immediately recognizable because they “all walk around loose and relaxed, like cowboys.” He continues to lead a double life: being a good soldier on-base while getting involved in resistance activities outside the gates.

The subtitle, A Story of the Sixties, is certainly accurate and everything in this novel rings true. This is a book about an honorable, conflicted man who gives his body and mind to the military, but not his heart and soul. It is a good story about a good man.

–Bill McCloud

Berserkley by Robert Roth

Many years ago through a haze that wasn’t particularly atmospheric in nature or origin, someone said to me, “If you can stand there, flat-footed, and tell me you remember the Sixties, man, you weren’t really there.” Turns out he was correct, on several levels.

Speaking of the Sixties, Robert Roth’s novel, Berserkley (The Periphery Press, 620 pp. $25, paper; $9.99, Kindle) begins and ends with the word “Unbelievable.” That just about describes this offering, which is constructed like a huge, feverish Jack Kerouac story—after being loosely introduced to Strunk & White’s The Elements of Style.

There are no chapters, per se. Roth, instead, gives us lots of words, separated by rows of five asterisks. We move from scene to scene, with the breaks coming just when the reader needs to take a breath. A series of cinematic scenes dissolve as we wade through the story. What a rush!

Roth has very skillfully assembled a covey of characters right out of central casting who personify, almost eerily, every type that we had on the scene at UC Berkeley in the mid-nineteen sixties. We get the dweeb from Cleveland (our erstwhile protagonist); the drug-addled Vietnam veteran; the effete snob from a waspish New England family; the oblivious Santa Monica cutie; the self-hating Jewish restaurant owner; the Chicano wanna-be radical; the wide-eyed rural Nebraska farm boy; the grizzled, old, radical newspaper publisher; the kidnapped newspaper heiress; the Hare Krishna background singers; and a huge herd of supporting weirdos.

Throughout the book I read about little things here and there that I’d forgotten over the decades. And I found myself thinking, “Oh, yeah, I remember that.”

The story propels us through a time-warped narrative that seemingly is unanchored. Roth rarely bothers to mention a day or time as the story just seems to waft along—kind of like the ever-present cloud of pot smoke that was Berkeley in those days. Roth presents more fiction on the back-cover blurbs, including words from the late Truman Capote calling the novel “far superior to To Kill a Mockingbird.”

I began reading Beserkley with a bit of trepidation, but was pleasantly surprised. It offers up memories of the Sixties, along with the love, hate, and angst that went with them.

I strongly recommend it.

–Tom Werzyn

Kent State: Four Dead in Ohio by Derf Backderf

Derf Backderf’s Kent State: Four Dead in Ohio (Abrams ComicArts, 288 pp. $24.95) tells in graphic novel form the true story of a massacre of four unarmed students by Ohio National Guardsmen on the college’s campus in May 1970. That bloody incident often is considered the end of the turbulent sixties, along with much of the promise that those years embraced.

I am in awe of what Backderf—a renowned cartoonist and graphic artist—has accomplished in this book, especially the massive amount of research he did and his ability to incorporate the results of that research into an artistic format. Following a brief Prologue, Backderf gives us four chapters, one for each of the four days of the Kent State story which played out from May 1 to May 4. He includes an Epilogue on the book’s very last page, following more than two dozen pages of endnotes. Placing the Epilogue there is akin to a director adding a scene in a movie following the credits.

Kent State is a dramatic recreation of the events based primarily on eyewitness testimony and official reports. I strongly suggest reading the 26 pages of endnotes, which provide source material for each scene and serve also to flesh out the entire story.

College campuses around the nation erupted when President Richard Nixon announced that his latest attempt to bring the war in Vietnam to an end was to officially expand America’s role beyond the borders of Vietnam and move U.S. troops into Cambodia.

At Kent State University in Ohio a student group reacted by publicly declaring the U.S. Constitution dead and burying a copy of it on campus on Friday, May 1. They also called for an antiwar rally for Monday May 4. That antiwar agitation made for an intense weekend, both on the campus and on the streets of Kent.

The book is pretty much a moment-by-moment telling of what happened over these few days, culminating in National Guard troops opening fire on students, killing four and wounding nine others.

This is not a comic book made up of mostly drawings. Plenty of words filll every page. Backderf, an Ohio native, includes boxes of text throughout, providing background information on such subjects as the military draft, Students for a Democratic Society, and ROTC.  

His illustrations are so vivid that I could almost hear the sounds of the weekend on each page: music blasting from stereos, the ringing of the campus Victory Bell, the marching feet of the advancing Guard troops, and then the screaming. 

The unfortunate highlights of this book are the violent, sickening pages (thirty-three panels) that show each student at the moment he or she was shot. It was a brave decision to illustrate these in such an explicit fashion—and it was absolutely necessary for readers to see the carnage in order to understand the horror unleashed on the students that day.

This is a marvelous historical account and artistic undertaking. Don’t question the depth and seriousness of this book because it’s in a graphic novel format. It’s appropriate as a college textbook, and for any others who wish to know about this episode into the darkness of the American soul.

Backderf’s website is www.derfcity.com

–Bill McCloud

Vietnam to Iran 1969 by James Ellenberger

James Ellenberger’s Vietnam to Iran, 1969 (Bowker, 197 pp., $30, paper; $3.99, Kindle) is unlike any other book I have read dealing with the Vietnam War. Fifty-one years ago James Ellenberger’s tour of duty in the Vietnam War ended. Instead of flying home to the U.S. on a military-provided plane and processing out of the army in California, he chose to take his Army discharge in Vietnam and travel from Saigon to Tehran via the vagabond route.

After being inducted into the Army in April 1967, Jim Ellenberger went to Officer Candidate School and was commissioned an infantry officer. When he arrived in Vietnam he was posted to the old Imperial Capital of Hue not quite a month after the big Tet 1968 battle. He headed a Civil Affairs platoon that worked with the refugees.

Ellenberger kept a journal during this time, which he sent home and his mother lovingly packed away. When he dug up the journal nearly fifty years later, he discovered that reading it brought back memories of that long-ago time. So Ellenberger decided to use the memories as the basis for this little book. He includes journal entries as he wrote them five decades ago with only minor edits. He writes that he enjoyed reliving those days—and I enjoyed reading the entries about them

I wrote a book, a novel called REMF Diary, based on my journals and diaries of this time. So I thought it would be fun to read this  book and make comparisons. It was fun, but this book is very different than mine. The biggest difference is that Vietnam to Iran contains a lot of small maps and many color photos.

The color photos of Thailand and the many temples and statues make his book seem like an issue of National Geographic. The photos are high quality and go well with the journal entries. The maps chronicle the areas he traveled. The adventurous Ellenberger wound up traveling to many places that are no longer possible to go to—or advisable to—including the Bamyan Valley in Afghanistan.

Vietnam to Iran is an artifact of a bygone age and deserves a place on the shelf of Vietnam War literature. I highly recommend it to folks who wish for a taste of the vagabond life.

–David Willson

 

 

 

 

Hippie Chick by Ilene English

Ilene English’s memoir, Hippie Chick: Coming of Age in the ‘60s (She Writes Press, 344 pp. $16.95, paper; $8.69, Kindle), is a book I very much enjoyed reading as someone whose entire teen years fell within that decade. I also believe that many people not yet born during that time would find this book an interesting, enlightening look at the most significant decade in post-World War II American history.

English was born in 1945, the youngest of six children, into a family operating a luncheonette in Irvington, New Jersey. Growing up in “a household filled with tension,” English flew cross-country to live in San Francisco with an older sister and her husband shortly after her mother died. She was just sixteen.

Still a teenager, she felt destined to live a life inspired by books, beginning with the classic children’s novel, Pollyana. Before long, English writes, she had been fitted with a diaphragm, lived with three male roommates, began smoking marijuana, and lost her virginity. She later moved with a girlfriend to a place on Haight Street, got pregnant, lost her job because of her pregnancy, and had an abortion. She was eighteen years old.

San Francisco was becoming a city where it almost felt like you could overdose on life, she writes. The city “had taken me in like family. It felt so right to be there.” English began going out with black men to jazz clubs, even smoking pot one night with Dizzy Gillespie. On the pill and practicing what once was called “free love,” she dabbled in LSD while hanging out in Haight-Ashbury and Golden Gate Park.  Soon she went into analysis with a Freudian therapist. She experienced the beginning of “The Sixties” as we would come to know and remember that time period.

In 1966 English became interested in astrology and older men while commiserating with her brother who was in the Army and hoping not to be sent to Vietnam. She moved to Hawaii where she enjoyed taking college classes and new boyfriends. On a visit to San Francisco, probably in 1968, Janis Joplin sang “Happy Birthday” to her. English didn’t know Joplin, she says, but “we were both free spirits and yet both always looking for love.”

Back in Hawaii she became fascinated by stories friends told her about the big antiwar demonstrations in Berkeley. She remembers seeing American troops walking the streets of Waikiki while on R&R from Vietnam and recalls that “the blank stare in their eyes frightened me.” In 1969 she tried magic mushrooms and managed to make it to a concert by Jim Morrison and The Doors, which, she writes, was “both fascinating and shocking.”

Eileen English & daughter, circa 1980

At this point, we’re half way through the book, which continues into the Eighties. English then leaves Hawaii, and spends the next phases of her life on the West Coast of the U.S. where she gets married, has a child, and watches love come and go more than once.

This is a devastatingly honest memoir, bolstered at the end with updates about all the main people and places English mentions in the book.

The author’s website is hippiechickmemoir.com

–Bill Mc Cloud

Vietnam Reconsidered by John Ketwig

John Ketwig’s 1985 book and a hard rain fell…: a GI’s True Story of the War in Vietnam stands among the top American Vietnam War memoirs. And that’s saying something as that conflict’s literary canon contains dozens of memoirs that are among best writing on war—any war.

Ketwig’s sprawling, ambitious new book, Vietnam Reconsidered: The War, the Times, and Why They Matter (Trine Day, 480 pp., $24.95, paper; $9.99, Kindle), is his attempt, as he puts it, “to say more about the war and modern-day militarism in America.” And say more Ketwig does in this lengthy book that contains what he calls “a mosaic of historic fragments,” along with his analysis of that history and the lessons he takes from the American war in Vietnam and other U.S. “military adventures.” Ketwig also includes first-person accounts of his life before, during, and after serving in the Vietnam War, an experience, he says that “devastated my heart and soul.”

Ketwig—who joined the Army in December 1966 with the draft breathing down his nineteen-year-old neck—deserves credit for some compelling writing and some well-executed parts of the book. The long history part, however, which includes many statistics, is presented with little attribution and without footnotes or end notes. Why? Because, Ketwig says, “most readers ignore them and they impede the joys of reading.” He does include a very long bibliography—nine pages of books, some of which he recommends, but none of which are annotated. So this is not the book to go to for a fact-checked history of the Vietnam War or the Vietnam War era.

Some of the facts he presents, in fact, do not check out. For example, Ketwig states as fact that there have been “200,000 suicides” by Vietnam veterans since the war. In reality, there are no reliable statistics on suicide in the U.S., much less on Vietnam War veteran suicides. Those who have looked into the subject trace extremely high suicide figures (such as 200,000) that people cite to a thoroughly debunked myth that sprung up in the early 1980s that more Vietnam veterans had killed themselves after the war than were killed in the war.

John Ketwig

Another example: In Ketwig’s short section on R&R he says that American troops “were allowed a five-day R&R… once a year.” There may have been a once-a-year rule, but it was regularly broken. And some of the R&R destinations, such as Sydney and Honolulu, were for seven days. He also writes that GIs “disembarking from the R&R center” were “immediately accosted by a huge throng of ‘agents’ or pimps…”

That may have happened to Ketwig and others of his acquaintance, but for thousands of others nothing remotely like that occurred.

At its heart, Vietnam Reconsidered is a smart, well-read, highly political Vietnam War veteran’s interpretation of that still-controversial war, replete with John Ketwig’s strong antiwar opinions and some strong writing.

—Marc Leepson

Sticking It to the Man Edited by Iain McIntyre and Andrew Nette

Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1950 to 1980 (PM Press, 336 pp., $29.95, paper) is a large-format, coffee-table book richly illustrated with color photos of book covers. Those images give more than a fair idea of what the mass market paperbacks of the time were like. The book’s editors Iain McIntyre and Andrew Nette, both of whom are Australian authors, sprinkle references to the Vietnam War are throughout this book.

The chapter Nette wrote, “Blowback,” is the mother lode. The subtitle is, “Late 1960s and ‘70’s Pulp and Popular Fiction about the Vietnam War,” and its ten pages are rich in illustrations and information about the mass market paperbacks dealing the war. The chapter also includes bibliographic information on Vietnam War novels that academic bibliographies managed to miss. The Vietnam War novels of Australia were a special revelation to me. I’m going to have to hunt them down and read them.

The sections of the book dealing with John Shaft, the African-American detective created by Ernest R. Tidyman and made famous in the 1971 movie directed by Gordon Parks, are especially good—and detailed.  I had no idea so many books were devoted to Shaft, who became a larger-than-life filmic Blacksploitation figure—let alone the number of Shaft films and television shows. I learned that John Shaft had been wounded in the Vietnam War, a state of affairs that was a common feature of 1970s fictional detectives.

Novels by women are well-covered in the book. Most are authors I had never encountered, even though I’ve been claiming to be an expert on novels of this era for many years.  Reading this book has made me a much more well-qualified bibliographer than I was before. I’ll have to obtain The Love Bombers by Gloria D. Miklowitz. Running away to join a cult is the subject of this Young Adult book—something I was worried about happening to my children.

Chester Himes created the Harlem Detective series with characters “Coffin Ed” Johnson and “Grave Digger” Jones, two of the toughest cops to ever wear badges. These books, including Cotton Comes to Harlem (1965), were also made into Blaxploitation movies. Many pages of this book are devoted to Himes, with illustrations of lurid and colorful book jackets.

Fictional vigilantes of the seventies, lesbian detectives, Yippies, and gay detectives also are referenced in this seriously all-inclusive book. In fact, I can’t think of any prominent movements of that era the editors left out.

I was relieved to find Iceberg Slim’s pimp novels were thoroughly covered. Iceberg Slim (1918-1992) was one of my favorites for light reading in the seventies

This book is a perfect gift for a bibliographer (or anyone else) who thinks he’s seen and read it all. I highly recommend it.

–David Willson

Revolution and Renaissance by Daniel Forbes Hauser

When did “The Sixties” as known in American collective memory begin? When did that era end? Rarely does the socio-cultural phenomena that define a generation fit neatly into a proscribed ten-year period. A black-and-white photo of John F. Kennedy and the Whiz Kids in early 1961 does not evoke “The Sixties” the way the violence of the 1968 Tet Offensive or the 1969 peace of Woodstock do.

In Revolution and Renaissance: 1965 to 1975 (History Publishing Co., 430 pp. $33.99) Daniel Forbes Hauser examines this period through the prism of his hometown of Boulder, Colorado. Reflecting on the turbulence of this decade, Hauser analyzes this period of profound cultural transformation by examining the unprecedented confluence of the war in Vietnam, the Civil Rights movement, and—most significantly—the coming of age of the Baby Boomers.

Richie Furay of Buffalo Springfield contributes the foreword to the book, which is organized by a chapter per annum, with each chapter containing the author’s reflections on a year’s seminal events, interviews, and personal musings. It is regrettable that given the expansive nature of the material covered, the book does not have end notes. The book is loosely centered on Boulder as Hauser introduces two contrasting protagonists: Mark, a poor kid from the wrong side of town who would serve in Vietnam, and Tom, the Asian-American son of a University of Colorado physics professor awhose brother would become a member of the Weather Underground.

Hauser’s goal, he says, is to create an expeditious and entertaining book, and in that regard he has succeeded. That his engaging and breezy commentary can intermittently be glib can be forgiven given the context, though Hauser falls into the trap of placing his and his cohort’s memories as “America’s” or as the “general public’s.” These gross generalizations can diminish his perspective and erode his thesis.

There are some minor historical errors. Contrary to popular myth, for example, the vast majority of troops in World War II were draftees, not volunteers; Walter Cronkite did not say the Vietnam War was “unwinnable” in 1968, (he said it was a “stalemate”); and it was a South Vietnamese (not an American) plane that accidentally bombed the village that led to famous “Napalm girl” photograph. Hauser writes about the movie MASH in his section on 1967, hyperbolically stating it “helped destroy any last vestiges for America’s will to win in Southeast Asia.” But the novel was published in 1968, and the movie released in 1970. Though the subtext of the film and the later television series was the Vietnam War, contrary to Hauser’s recollection the setting was the Korea War.

Other mistakes can be more jarring: Hauser transposes the Medal of Honor for any military decoration and writes that John Kerry threw his Medal of Honor in a river. He also mistakenly writes that the 1973 Paris Peace Accords called for the reunification of Vietnam, and in writing about the period American military engagements of the 1950s and early 1960s he egregiously omits to mention that 37,000 Americans were killed and 95,000 wounded in the Korean War.

Hauser ties his tome together with the bizarre story of Renner Forbes, the Marshall of a small town outside of Boulder called Nederland. In 1971, Forbes murdered and placed the body of a local hippie, Guy “Deputy Dog” Gaughnor, in an abandoned mine shaft. In ill health, Forbes confessed to the murder in 1997, and died in 2000. If this tale was not sufficiently sensational, in 2016 a former friend of Deputy Dog, in a futile act of vengeance, tried to blow up the Nederland Police Department.

The book would have been strengthened by more insights and commentary about Mark (the Vietnam War veteran) and Tom (the physics professor’s son), and more analysis of the Deputy Dog story. Still, Revolution and Renaissance it is an enjoyable and fast-paced trot through a most revolutionary decade.

The book’s website is revolutionandrenaissance.com

–Daniel R. Hart