Our Best War Stories edited by Christopher Lyke

The title—Our Best War Stories: Prize-Winning Poetry & Prose from the Col. Darron L. Wright Memorial Awards (Middle West Press, 234 pp. $17.99, paper; $9.99, Kindle) edited by Christopher Lyke—sets up expectations that the book meets time and time again. The awards, honoring an Iraq War veteran killed in a training accident, are administered by Line of Advance, an on-line veterans literary journal. Lyke, a U.S. Army veteran of the Afghanistan War, is the journal’s co-founder and editor.

As for the poems, I especially enjoyed “Starling Wire” by David S. Pointer because of its great word flow and the use of words such as “microscopicesque” and “retro-futuristically.” I also liked Eric Chandler’s “Air Born,” which has us flying home with a “war hangover,” and Jeremy Hussein Warneke’s “Facing 2003,” in which he looks at the aftermath of war with a poem inside a poem. Randy Brown’s “Robert Olen Butler wants nachos” deals with desire.

“Soldier’s Song” by Ben Weakley is my favorite among the poems as it lyrically deals with time and worlds that exist in the tip of a bullet that barely misses your head. In “Havoc 58” Laura Joyce-Hubbard describes a grief-filled widowed pilot’s wife as “Dressed black-drunk.”

Some of the short stories that stood out were David R. Dixon’s “The Stay,” about a man who can smell death, and Michael Lund’s “Left-Hearted,” featuring a man with a rare heart condition. Other worthy stories include  “Bagging It Up” by Scott Hubbartt, and “Walking Point” by former Marine Dewaine Farria, my second favorite story in the book, looks at the warden of a small town prison in Oklahoma. Some of his memories are of men who became only “blood-soaked heaps of jungle fatigues on stretchers.” He uncovers a prisoner’s dangerous shank and realizes that prison and war “encourage ingenuity.’”

“Village With No Name” by Ray McPadden is my favorite short story in the book. It’s set in Iraq and looks at a group of men motivated to get their dangerous mission completed quickly because of an impending sandstorm. They shoot dogs “for no particular reason” and carelessly rip down electric lines as they drive through a village. Then, when one of the men is bitten by a poisonous cobra, and the medic says, “I ain’t no snake doctor,” they find themselves begging for help from an old woman and her jar of paste.

Christopher Lyke

In Travis Klempan’s “Some Kind of Storm” a newly discharged veteran finds himself in “the least hospitable place in America,” a Christian rock festival in southern Oklahoma. He encounters the Painted Man (a tribute to Ray Bradbury’s The Illustrated Man) whose tattoos seem to come to life.

The most exciting story is “Green” by Brian L. Braden. In it, a helicopter pilot refueling in-flight suddenly sees tracers from ground fire arcing in the sky. In William R. Upton’s “A Jeep to Quang Tri” we’re aboard a fixed-wing Caribou in Vietnam about to land on a “small dirt strip with more VC than flies on a dog turd.”

Our Best War Stories contains many great poems, stories, and essays—all of them well-told. That’s as good a combination as you can ask for.

–Bill McCloud

The Girl to His Left by Stephen P. Learned

The Girl To His Left (Bermondsey Books, 318 pp. $9.99, paper; $2.99, Kindle) is an entertaining novel about the military and the antiwar movement in the Sixties written by Stephen P. Learned, who says he didn’t serve in the military or take part in the protests against the Vietnam War. Learned is a retired U.S. Justice Department trial attorney who has been a long-time volunteer at the Vietnam Veterans Memorial in Washington, D.C.

We meet the title character, Shawn, on the first page as she takes a seat next to Paul Bondra at a pizza place. It’s the spring of 1966 in Pittsburgh and the two strike up a conversation. Paul is about to join the Marines and they bond over the next month, deciding to write each other while he’s gone in hopes they can maintain their relationship. They promise to be faithful to each other. “As long as you’re alive,” Shawn tells Paul, “I’m yours. But don’t come back a different person.”

After his first military haircut Paul says he looks “like one of those Mormon guys who knock on your door.” With Paul on active duty, Shawn transfers to the University of Wisconsin and becomes involved in the antiwar movement. She keeps it a secret from most people that she has a boyfriend in the Marine Corps.

In February of 1967 Paul’s plane lands at DaNang and he is quickly bused to Hill 327. While he is setting up security and night ambushes, Shawn is engaged in antiwar activities, including attending draft card burnings.

Soon Paul finds himself in the thick of things. He “felt the change in pressure caused by bullets snapping overhead,” Learned writes, coming from the “nasty clap of a Russian SKS semi-automatic carbine.” Paul notes that an after-action search of a hamlet bombed by Americans uncovered dead bodies. “Bad guys, good guys, who knew?”

As a platoon leader, Paul decides he “wasn’t going to kill anyone until his men killed first. Sure, he was a killer. But his job was to lead killers, not be one.”

Stephen Learned

Paul learns that he can get an early out if he extends his tour in Vietnam for six months. He considers it, but remembers that Shawn made him promise he would return as soon as he could.

He writes to her, spelling out his reasons for extending. She writes back saying she’s completely opposed to the idea. What’s more, she suggests that if he does extend his tour it would be a selfish act and she would end their relationship.

As you would expect of a good novel—and this is a very good one—bigger-picture historical moments are personalized through the eyes of the characters. This gives the reader a better understanding of exactly what those events meant to those who lived through them.

–Bill McCloud

The Gopher King by Gojan Nikolich

Gojan Nikolich’s new novel, The Gopher King (Black Rose Writing, 358 pp. $20.95, paper $5.99, Kindle), is not quite Alice going down the rabbit hole chasing the White Rabbit. But a few chapters into the book and you might think it’s Coraline going down a gopher hole with an M16 on full auto and a K-Bar in her teeth.

The story centers around Stan Przewalski, a weekly newspaper publisher in Bull River Falls, Colorado. Stan suffers from a severe case of PTSD after surviving a hellacious tour of duty in the Vietnam War, and Nikolich—a U.S. Army veteran—paints a verbal portrait of PTSD suitable for hanging in any VA hospital.

Stan, like many veterans who experienced combat, came home with the demons of war firmly in control of his life. He soon depends on therapy and pills to keep those demons in check. The healing process for Stan materializes in the form of a gopher—and not just any gopher. He is the Gopher King. Soon, Stan and the Gopher King, appropriately named Chaz, embark on an odyssey of mutual self-exploration. Chaz is an anthropomorphic literary device Nikolich uses to deftly to probe the depth of Stan’s problems and alleviate his PTSD.

On a sightseeing trip to Vietnam, Stan realizes that he cannot be redeemed. But he also discovers that facing his fears and the hidden places in his mind amounts to true bravery. And that the times he allowed himself to suffer at the hands of his demons actually were opportunities to face his fears.

Nikolich effectively plumbs the depths of PTSD through the magical world he creates that Stan enters. It’s a world populated with camouflaged gophers toting M16s and fighting to save their homeland. It’s full of misunderstandings, meaninglessness, pompous characters, reminiscences without purpose, and characters who make absolutely no sense and are based on vanity and cluelessness.

The residents of Chaz and Stan’s world mainly just want to get by and survive and maybe have a good time. Their world isn’t actually that much different from the real world, although the real world may be less exaggerated with its arbitrary rules and adult nonsense, crookedness, cowardice, and sordidness. Still, it contains those traits in equal measure—and in many ways the cruelty of the real world is more incredible.

Gojan Nikolich

Nikolich’s writing style drew me in immediately. He ticked all the good-fiction boxes for me: a good story, entertaining and creative descriptions, and mesmerizing dialogue. To the extent that a good novel entertains and enlightens, The Gopher King masterfully achieves both goals.

Nikolich’s portrayal of the characters is realistically accomplished. The humor and the story could provoke unwanted memories for the initiated, but they also can be of tremendous educational value for those with little knowledge of PTSD.

I highly recommend putting a velveteen gopher on the desk of every VA shrink and The Gopher King on your reading list.

–Charles Templeton

Augie’s World by John H. Brown

John H. Brown’s Augie’s World (Black Rose Writing, 243 pp. $18.95, paper; $6.99, Kindle) is a tight little action and adventure story rooted in a sense of family and loyalty. Brown was drafted into the Army and served a 1969-70 Vietnam War tour of duty with the Americal Division. This book is a follow-up to his debut novel, Augie’s War.

After being drafted, main character Augie Cumpton winds up in Vietnam where he loses three good buddies in combat, sees another one permanently desert, and learns about a senior NCO being murdered by one of his men. Augie returns home in 1970 and is soon discharged. He develops PTSD, though it won’t be officially diagnosed for ten years. In the meantime, he self-medicates with alcohol and drugs.

Augie was raised in an extended Italian-American family, which he returns to, with dreams of studying English literature and becoming a teacher. Food is important to this family as are the rituals around preparing it and family dining. Memories of such family gatherings sustain Augie during some of his most difficult times. Brown includes eight pages of family recipes at the back of the book for such things as stuffed artichokes and pasta marinara.

While working in the family business Augie gets involved in a deadly encounter with Mafia members over what they called “insurance” for the small business. Augie is forced to leave town, taking with him his old Army .45 caliber pistol. With the Mob hot on his heels he attempts to go into hiding. But when members of his family are threatened, he realizes he should come home and deal with the problem. He’s not John Rambo, though, and needs the help of family members to end the threat.

There is a really cool, nearly mystical, character who helps Augie, but it needs to be said that Brown includes quite a bit of almost casual violence and threats of such throughout the book.

John H. Brown

There are more than forty chapters that alternate between first and third person. Brown does a great job in moving the story along through chapters titled “Welcome Home,” “To the Moon,” “Bad News,” “Circle the Wagons,” and “Escalation.”

I encountered two hiccups in the book. One involves a returning soldier being spat on at an airport, which we know is a myth. Since this is fiction, an author is free to use artistic license—but it’s not right to perpetuate that myth.

Brown also writes that “four student protestors” were killed by Ohio State National Guard troops in May 1970 at Kent State University. It’s important to note that two of the four murdered students were not protesting anything; they were walking between classes at a distance of more than 380 feet from the shooters when they were gunned down.

I was interested in seeing how this story turned out. Brown kept me reading. I found the ending to be far-fetched, but that didn’t ruin the book, which overall I enjoyed.

The author’s website is  wordsbyjohnbrown.com

–Bill McCloud

The Best of Medic in the Green Time by Marc Levy

Marc Levy’s The Best of Medic in the Green Time: Writings from the Vietnam War and Its Aftermath (Winter Street Press, 563 pp. $24, paper) is a kaleidoscopic book of stories written by Levy and others. Kaleidoscopically, these colorful stories burst out in all directions. They’re collected from a website that Levy, who served as a medic with the First Cavalry Division in the Vietnam War, started in 2007.

The stories, poems, essays, recollections, and reflections are divided into three sections: War, Poetry, and Postwar. There are more than seventy stories in all, three-fourths written by Levy.

Here is some of what we encounter in the opening section on the Vietnam War. A casualty of friendly fire, the first man Levy has to patch up. How to make morning GI coffee. Inflated body counts. Souvenirs taken from the dead. Medals awarded to appease grieving families. Coincidences that save lives. Men voluntarily returning to the war because they missed the adrenaline rush.

Several stories describe extreme combat at a personal level. A buddy dying in Levy’s arms. The attacking Viet Cong dressed only in loin cloths. Men giving themselves self-inflicted wounds to try to keep from returning to combat.

The poems are a mixed bag; some of the best are written by Levy. In “He Would Tell You,” for example, he writes:

 Let me never tell you

Things you cannot know

Let me never tell you

Things that won’t let go.

“Portrait of a Young Girl at Dawn” ends with:

They haul her in.

Beneath the whirling blades

She is spinning, spinning

She is floating away.

“Dead Letter Day,” begins: “He sent the letter to the guy’s wife/The same day,/Leaving out the following:”

We then learn the truth of the man’s death. Things his widow must never know.

One of the best poems, by Tom Laaser, is “Things I Think About at 11:11 on November the 11th”. In it, a man is attending yet another program for vets in a high-school auditorium and he’s conflicted. He senses that he does not want to be a veteran,

But the second that god damn flag is unfurled

And that crappy high school band strikes up you

Give way to unyielding patriotism of the highest degree.

I bled for this

You want to scream.

I am a veteran. This is MY country. I earned this freedom.

I earned

This day.

Marc Levy, left, at LZ Compton in An Loc, 1969

The third part, “Postwar,” includes a small section on combat humor, as well as one on how to talk to college students about the war, and one on the symptoms and treatments of PTSD because, as Levy writes, “Whatever you did in war will always be with you.” An especially interesting section includes comments from dozens of veterans describing what they think when some well-meaning person says, “Thank you for your service.”

It’s a phrase Levy considers to be “petty.”

This is a great book because of the well-written variety of stories and topics Levy covers. It’s also great because of how it’s put together. There is no reason to read the more than seventy chapters in order. Dig in and skip around any way you choose.

A kaleidoscope of stories awaits you.

Marc Levy’s website, Medic in the Green Time, is medicinthegreentime.com

–Bill McCloud

The Distant Shores of Freedom by Subarno Chattarji

The Distant Shores of Freedom: Vietnamese American Memoirs and Fiction (320 pp. Bloomsbury India, $39.73), is Subarno Chattarji’s thought-provoking consideration of the significance of literary works by people affected by the Vietnam War. Chattarji, a University of Delhi history professor, is also the author of Memories of a Lost War: American Poetic Responses to the Vietnam War.

His new, well-researched book analyzes many Vietnamese refugee writers’ tales of war, escape at sea, rape, re-education, refugee camps, and arrival in an alien land. The book is divided into three parts. The first includes memoirs of re-education camp and aftermaths. This is followed by women’s memoirs, then a chapter on Vietnamese American fiction. The overriding themes are war, memory, trauma, and displacement.

When the American war in Vietnam ended in 1975, so-called re-education camps were set up to orient Southerners in the ways of communist doctrine. In analyzing memoirs of camp experiences Chattarji focuses on what he calls “buried texts,” those that are lesser-known.

Camp memoirs tend to justify the war, demonize the communists, and express nostalgia for the former South Vietnam. At first, southern government officials were asked to turn themselves in for an expected month-long re-education experience. Once they did, they learned that to Northerners they were considered American collaborators.

Many of the works in this section are individual accounts of imprisonment, survival, and witness. An older man puts his experience this way: “War. Death. Prison. All my life I’ve never had any time I could call spring.”

Many Vietnamese immigrants arrived in U.S. with a sense of euphoria, which would soon be replaced by overwhelming anxieties about everything involved in building a new life in a new land. For some a great sense of accomplishment for surviving years of captivity was replaced by a sense of becoming almost a non-person in this country. Many refugees simply wanted, above all, to earn how to feel at home in a new land.

The section on women’s memoirs looks at five books. From them, we learn that many women with husbands in re-education camps or missing bore the brunt of the trauma of that separation. Refugee women, especially, expressed concerns about being considered throwaway people, and many lacked of a feeling of belongingness. Chattarji says it’s appropriate to consider women’s memoirs separately because male writers tend to focus on the survival of the Vietnamese people in general and great national problems, while their female counterparts tend to write about the challenges in their daily lives. The final part on Vietnamese American fiction looks at two important works, Monkey Bridge, a pioneering 1997 novel by Lan Cao, and Viet Thanh Nguyen’s Pulitzer-Prize-winning novel, The Sympathizer.

I recommend putting The Distant Shores of Freedom alongside books that look only at the American experience in the Vietnam War. Chattarji’s book, with a thirteen-page bibliography and fifty pages of endnotes, drops the refugee experience of many Vietnamese Americans into your lap. In doing so, he helps to further humanize a group of people who to some still remain just a sidebar of America’s experience in the Vietnam War.

–Bill McCloud

There It Is by Ken Harper

Ken Harper, a veteran of the Vietnam War, wrote two novels prior to his death in 2018. His wife was determined to get them published. After reading his first one, the mostly light-hearted, humorous There It Is (Luminare Press, 533 pp. $37, hardcover; $25, paper; $5, Kindle), I greatly look forward to the publication of the second novel in 2021.

Harper’s main character, Farragut Birdwell, tells his story in a self-aware, sarcastic, smart-ass manner. One of the delights of the novel is seeing Birdwell mature during his year in the Vietnam War.

Birdwell grew up in Baltimore. When he joined the Army he ended up being assigned to Fort Holabird, the home of the Army Intelligence Center, in his hometown.

Birdwell gets permission to start up a boxing club at Holabird, which he hopes will allow him to avoid “Saturday morning shit details.” When he tells his World War II Navy vet father about his pugilistic plan the only advice he receives is, “Hit more, get hit less.”

Birdwell spends off-duty time at an off-base coffeehouse, smoking weed and listening to literary discussions. Knowing he would likely be shipped to Vietnam, a buddy’s girlfriend says he should “go to Canada and avoid the whole shitaree.” Another buddy refers to Birdwell’s likely eventual destination as “Viet-fucking-death-comes-knocking-Nam.”

His job at Holabird involves doing background checks for security clearances. He gets pulled into some illegal activities, which result in him getting orders for Vietnam. It’s nearly the half-way point of the book when Birdwel larrives in country at a unit in Saigon that he’s told is “so far from the shit we can’t even smell it.” Before long, though, he’s sent into the field. At his new location he sleeps fully clothed at night, his rifle at arm’s reach.

Birdwell is not sure how encouraging an early letter from his father is when it says he should remember that “no matter how bad things get, they can always get worse.” Indeed, Birdwell ends up getting wounded in action. His job is coordinating intelligence, and he spends time gathering information on troop locations, friendly and non-friendly. He works a lot with maps until an officer tells him, “The map is never the territory—to know the territory means remaking the map. Which means we’re going into the territory.”

Ken Harper

Harper includes several jarring incidents of extreme violence that stand out from the way most of the rest of the book is written. That’s appropriate, as violent acts can often lead to a sense of shock, which seems to be what’s happening here.

Not only is Birdwell telling this story, but several times he lets the reader get into his mind. In those cases we read short chapters then immediately learn that what we just read didn’t actually happen. Apparently they were merely fleeting thoughts in his head. That makes for a wild ride.

This book is fun to read, with a chuckle on page after page. Even some of the darker moments are treated with humor because if we don’t laugh at them we might just go crazy.

Or, as we often said during the war: There it is.

The book’s website is harperthereitis.com

–Bill McCloud

The Last Vietnam Novel by Fred Vigeant

When I first picked up Fred Vigeant’s novel, The Last Vietnam Novel: Darling, They’re Playing Our War (336 pp. $14.99, paper; $2.99, Kindel), I immediately thought I was about to enter the world of the Preston Jones’ play, The Oldest Living Graduate. Instead, I felt like Gulliver when he awoke in the land of Lilliput.

Above all, The Last Vietnam Novel offers a close examination of perspective and its role in how we determine our world views. While the book includes much humor and irony, the most potent message for this reader was the lesson in relativism.

The setting of Vigeant’s novel is the future. The year is 2054, and the author’s protagonist, Wonton Lively, the last living Vietnam War veteran, takes it upon himself to describe a future that the world has created. A world that takes absolutely no responsibility for the disaster it has created. As Wonton prepares for an interview with the “media giant Time/Netflix/Apple/Microsoft/Facebook/Pez,” he reminisces about life during the war in Vietnam.

One of Vigeant’s writing strengths is his ability to take the mundane, everyday routines of military life and turn them into magical stories that capture our attention and imagination. Another strength is Vigeant’s ability to write vivid dialogue in a tongue-in-cheek satirical style. The verbal exchanges between Lovely and his counterparts build complete images of the characters in the Last Novel. Wonton Lovely’s eloquence and post-ironic banter with a variety of characters sound natural and honest and, at times, reminds me of the work of the writer David Foster Wallace.

The story follows Wonton—the story behind the name “Wonton” is a great story in itself—Lovely’s recollections about ROTC, his active-duty, training, his first assignment in the states, and finally his tour of duty in the Vietnam War as he prepares for his interview. Fred Vigeant, a retired high school chemistry teacher, served as an Information Officer with the Americal Division in Vietnam in 1971.

His book is composed of one hundred fourteen chapters. Each is self-contained and reads like an O. Henry short story.

Fred Vigeant

In Chapter 28, “Major Alexander Seeks Respect,” Vigeant shows a deep understanding of the absurdity of the human condition. Lovely has been assigned to the Information Office at Ft Lee and has to report to the IO’s second in command, Maj. Alexander. 2nd Lt. Lovely has received orders for Vietnam and feels disposed to accept whatever requests the major has in mind.

The major wants Lovely to investigate why the guards at the entrance to Ft Lee do not salute him when he arrives on base. The conversation quickly devolves into one of those Catch 22 disjointed dialogues that use just about every form of ironic hyperbole, understatement, and rhetorical questioning imaginable.

The Last Vietnam Novel is a fast-paced and well-written book that I highly recommend. It goes down like Jack and Coke.

–Charles Templeton

Templeton, who served as a Marine Corps helicopter crew chief in the Vietnam War, is the author of Boot: A Sorta Novel of Vietnam. His website is charlestempleton.com

Boot by Charles L. Templeton

Charles Templeton flew more than 150 missions as a U.S. Marine Corps helicopter crew chief in the Vietnam War from 1968-69. His book, Boot: A Sorta Novel of Vietnam (S. Dogood Books, 317 pp. $14.99, paper; $2.99, Kindle), is made up of 37 short, disconnected chapters. The chapter titles tend to be wacky and whimsical. For example: “The Artists of Dong Ho,” “Panty Porn,” “Ly Cu Chi,” “Our Body of Hue,” “On the Road to Shambala,” “The Wisdom of Wombats,” “Operation Corduroy Peach,” “Dien Cai Dau,” and “Mystic Foxhole Yacht Club Bowl.”

All the chapters of this excellent book are well-written and interesting. Many are humorous; some are horrific and intensely graphic. The book is also sprinkled with bits of poetry by Vietnam War veteran Bill McCloud. Those poems are deftly presented to support the narrative.

Boot appears to be part memoir (it often seems as though it was written from notes Templeton took at the time) and part phantasmagorical novel. The protagonist is George Orwell Hill, or G.O. The book tell stories of G.O.’s life as a Marine in Vietnam, what he learns about the country and its people, and the impact his war experiences had on for life.

The author effectively develops believable and sympathetic characters, while simultaneously communicating the diversity of experiences and backgrounds of these characters who have been thrown together to work as a unit during a war.

Charles Templeton

I have read the chapters of this fine novel multiple times and what I am always left with is Charles Templeton’s clear intent to communicate an honest, authentic picture of the Vietnam War Marine Corps experience, as well as the complexity of factors specific to the Vietnam War, and the consequences of war that last far beyond its supposed end.

I enjoyed reading all 37 chapters of this book (as well as the prologue and epilogue) and wish there were more.

I recommend Boot to those looking for a well-written, unique, and interesting literary look at one man’s tour of duty in the Vietnam War and its aftermath.

The author’s website is charlestempleton.com

–David Willson

One Degree by Gus Kappler

Gus Kappler’s One Degree: An Historical Medical Mystery (BookBaby, 262 pp. $13.95, paper; $2.99, Kindle) is a mix of fact and fiction with a strong Vietnam War theme. Dr. Kappler did a tour of duty in the Vietnam War as an Army trauma surgeon at the 85th Evacuation Hospital in Phu Bai in 1970-71.

In this novel, after Pfc. Richard Burrows is wounded, he is treated at a field hospital in Saigon, then medevaced to Japan, and later sent to Walter Reed Army Medical Center in Washington D.C. After a few months at Walter Reed Burrows seems to be improving, but then suddenly takes a turn for the worse and is in danger of losing both his legs. He then dies of cardiac arrest. When he does, one of his doctors wonders, “What did we miss?”

A lab technician at Walter Reed, Matt Rogowicz, blames himself for Burrows’ post-op death because of what happened a few weeks earlier. Rogowicz had examined a slide of Burrows’ blood and detected an abnormality in a white cell. But there were no reports in the medical literature about such a distortion in infection-fighting white blood cells. Rogowicz could not convince his superiors that this was something that required further investigation and then his patient died.

After leaving the military, Rogowicz becomes obsessed with the tragedy and decides to spend however long it takes to get to the bottom of it. He learns about two more seemingly similar deaths and cover-ups of the circumstances surrounding the deaths. He blames himself even more, and soon exhibits PTSD symptoms, as do others he interviews. There’s a question of whether exposure to Agent Orange could be an issue, and there is a rumor that a Vietnamese worker may have placed a Russian-made toxin in the food in American mess halls.

Then China comes into the picture and things really pick up. There’s a possible connection to Big Pharma, a pharmaceutical conglomerate that had, Kappler writes, “allied with giants in other industries to create and sustain a consortium of players that, in the real sense of the word, ruled the world economically and politically.” This “ruling class” decided to try to control the most powerful man in the world and began grooming a corrupt U.S. senator for a run at the U.S. presidency.

As Rogowicz’s mission drags on for years, it becomes a life-changing experience. He’s not going to stop until he gets this particular monkey off his back. He joins with a handful of other Vietnam War veterans who bring in others who have experience with the mystery disease.

Dr. Kappler, fourth from left, with other 85th Evac surgeons in Chu Lai

Kappler’s dialogue does not come off as natural. He often uses what his characters say as a way of providing information for the reader as characters spit out facts. The brief section of the book that takes place in Vietnam includes several tropes. The VC, for example, turn Claymore mines around to face the GIs; there is a “newbie” First Lieutenant; and pilots survive “several crashes.”

Overall, though, the medical mystery part of this hybrid novel kept me engaged.

Kappler’s website is guskappler.com

–Bill McCloud