Lingering Fire by William Jackson Blackley

William Jackson’s Blackley’s poetry collection, Lingering Fire (Main Street Rag Publishing, 40 pp., $11, paper), which was published in 2015, contains excellent, mostly short poems with titles such as “Indirect Fire,” “Black Market Habits,” “Cities,” “Captain Crazy,” “Thermite,” “One Tour Too Many,” and “Blue Sunday.”

“Some of these poems were written during a very dark chapter in my life when I questioned even the existence of God,” Blackley writes. “They are based on my experiences growing up, with the draft, military training, battlefield action, coming home, talking with veterans and post-traumatic consequences of actions in Vietnam.” The poems “are, at times, my personal attempts to work through conflicted emotions rising from war experiences.”

The key to understanding this collection is a close reading of Blackley’s poem “Captain Crazy.” It’s about his fellow Vietnam War veteran Yusef Komunyakaa, the much-honored poet.

During my thirteen-and-a half-months in Vietnam I served as an office worker. However, in the months and years after I returned from the Vietnam War, I observed similar behavior to what Blackley describes in “Captain Crazy”. My sympathy for Komunyakaa and other returning Vietnam veterans was extreme, partially because I was similarly affected by my tour of duty.

Blackley

If you want to understand the fears of a Vietnam War veteran, read Komunyakaa’s poetry and your sympathy and understanding will be increased.

The poem I like best in the Lingering Fire is “Breaking Ranks.” Here are excerpts:

Home from Vietnam I carried engraved images of twisted and burned men everywhere I went

Never mentioned them, never even hinted at them until in the stands at my son’s soccer game one year I stunned myself and friends when ashen faced I stood and shouted “shut up shut up shut up” to a knot of teenagers chanting “kill them kill them kill them”

If you like hard-hitting poems that don’t mince words, this book is for you.

–David Willson

Year of the Dog by Deborah Paredez

The poet, scholar, and critic Deborah Paredez, a Professor of Creative Writing and Ethnic Studies at Columbia University, is the daughter of a Vietnam War veteran. The title of her new book, Year of the Dog (BOA Editions, 128 pp. $17, paper; $9.99, e book), refers to 1970, the year Paredez was born and the year that her father, a Mexican immigrant, deployed to the war zone.

Paredez divides the book into three sections: The first (53 pages) contains personal poems such as a self-portrait in flesh and stone and hearts and minds. The second is about Kim Phuc and the famous photograph of her being burned by napalm. The third deals with subjects along the lines of those explored in Trinh T. Min-ha’s 1989 documentary Surname Viet, Given Name Nam, which looks at the lives of Vietnamese and Vietnamese-American women.

Some of the poems, including those about Kim Phuc, are difficult to read because of the painful subject, but they must be read. Dozens of photographs are distributed throughout the book, which add greatly the power of Paredez’s words.

Here are a couple of stanzas from “Mother Tongue” that give the flavor of what the book holds in store:

If I could bite my tongue

And have it split into two

Whole daughters that split

Again in endless fission

-ing splitting the very thing

Keeping their whole line

Going—If I could I would

Watch my tongue and its

Tongue-set wagging

Their tails, some silver-

Tongued some wicked—I’d hold my tongue

Out like an offering or a battalion

This is a book of powerful poems about pain and politics and war.

–David Willson

Playing Chicken with an Iron Horse by Fred Rosenblum

Rosenblum is the author of Hollow Tin Jingles and Vietnumb, which contain some fine Vietnam War-related poetry. He joined the Marine Corps in 1967 and “Six months later, I’d piss myself on the banks of the Perfume River,” Rosenblum writes in his newest poetry collection, Playing Chicken with an Iron Horse (Formite, 104 pp. $15, paper; $4.99, e book).

Much of his poetry in this volume mentions the Vietnam War in passing. Here’s an example from one of the book’s longer poems, “That I would cheat that poor old woman.”

Future lung cancers were of no concern

When grandma sent a carton of Winston’s to me

Sleeping with rats in the charred mountainside bunkers

Of Quang Tri, a little more than a stone’s throw

From the DMZ in 1968

“Here, if Charlie don’t gitcha’, these will”

The Christmas card (should’ve) read

But lest I deviate, it was the game of cribbage

Or as we called it crib…about which I’d like to relate…

That I would cheat—gain leverage by carefully

Focusing on the lenses of my grandmother’s

Spectacles—stealing reflections of what she’d

Held in her hand

Rosenblum’s carefully composed poetry covers all aspects of American life, leaving no stone unturned and no cliché unplumbed. He is a careful student of the American vernacular. He benefits from careful reading. In fact, his poems make little sense if read in a hurry.The cover of this little book contains clues to that fact. The railroad ties the poet’s sneakers are walking on are not an accident.

This is an important book of poetry about the American predicament and situation. It should be handled carefully. I hope I live long enough to read Fred Rosenblum’s next book of poetry. I’m certain that will be a treat.

–David Willson

Empires by John Balaban

Empires (Copper Canyon Press, 80 pp. $17, paper; $9.99, Kindle) is the award-winning poet, novelist, and translator John Balaban’s eighth poetry collection. As the title implies, the poems in the book covers the globe. Balaban—a conscientious objector who volunteered to go to Vietnam during the war and wound up carry a weapon during the 1968 Tet Offensive—has not let much grass grow under his feet. In the new book, he roams the planet and the centuries.

The Vietnam War is not mentioned until page seven in the book’s second poem, but that is not the last mention. Far from it. Balaban is one of those poets who has not gotten the war out of his system. Has he even tried to expunge it?  I doubt it.

The best way to communicate the purity and power of Balaban’s poetic vision is to quote from “Returning After Our War,” one of his many poems dealing with the Vietnam War. Balaban, a North Carolina State University Professor Emeritus of English, is at his poetic best when writing about that awful war that he was personally involved in, a war that was the subject of his acclaimed memoir, Remembering Heaven’s Face: A Story of Rescue in Wartime Vietnam.

 

I woke up to animal groans

Down in the stairwell  Flynn and Stone

Were beating up a young thief

Who had broken in to steal their bikes

Bucking an M 16 against the kid’s ear

Then punching him in the stomach with the butt

Before they bum-rushed him out the door doubled over and wheezing for air.

I stammered no in a syllable that rose

Like a bubble lifting off the ocean floor.

Ten days later, they were dead.  Flynn

And Stone who dealt in clarities of force,

Who motorcycled out to report the war,

Shot at a roadblock on Highway 1.

Nearly all those Saigon friends are gone now,

Gone like smoke. Like incense. 

The friends and the adventure exist only in this poem and in John Balaban’s mind and memory. But for now that’s enough. It’ll be a sad day when he puts down his pen and stops producing the best poetry of the war.

Sometimes I have to remind myself that Balaban never wore an Army uniform, let alone a Marine Corps uniform. He helped wounded and hurt children. Hard to top that mission.

John Balaban is one of the very few saints produced by the Vietnam War.

–David Willson

My Long Journey in Baltimore by Lawerence E. Mize

Lawerence Mize enlisted in the U.S. Army in 1966, and did a tour of duty as a combat medic with the 101^st Airborne Division in Vietnam. He then served as a police officer in Baltimore for close to thirty years, retiring in 1999 as a sergeant.  In the early 1980s he was troubled by PTSD and dealt with that problem by writing the poetry collections Tortured Soul (1997) and Dead Men Calling (2002).  Both of those works are based on his experiences in Vietnam and helped him cope with the issues he was having with PTSD.

Mize’s latest collection, My Long Journey in Baltimore (Dorrance Publishing, 92 pp., $23, paper; $18, e book), contains eighty pages of poetry. The titles of the poems give away their subjects. “Cu Chi,” “Dead Men Calling,” “Screaming Eagle,” “Memories of Nam,” “My Gun,” and many more poems deal with his war, his family and his career in law enforcement.

 

Here are a typical few lines from “Screaming Eagle”:

Walk in the vills

Down beaten paths

Worm through the tunnels

I’m here to kick ass. 

I’m young and I’m strong

As hardcore as they come,

Humping in the Nam.

Keep Charlie on the run. 

Morphine syrettes, filling sandbags, big orange pills, PTSD, baby killers, cowards at home, rats fleeing to Canada, traitors should be shot in the head, napalm canisters—all of that rhetoric flavored the poetry with the politics of the time.

Read this book and weep. That’s the kind of book it is. I read it and wept myself and for myself.  Of course, these days it is a rare book that does not provoke me to tears because of the medication I’m taking—or the subjects of the books.

I recommend this book for anyone looking for poetry that captures the extreme language of the 1960s.

–David Willson

On the Shores of Welcome Home by Bruce Weigl

It has been a long wait for this new book of poetry from Bruce Weigl as his previous collection, The Abundance of Nothing, came out in 2012. The great poet (and fellow Vietnam War veteran) Yusef Komunyakaa said then that Weigl’s poems often gazed into “the hellish, heavenly mechanics of life and death.” The poems in his new book, On the Shores of Welcome Home (BOA Editions, 104 pp., $17, paper; $9.99, e book), continue that scrutiny.

Weigl—who now has written more than twenty books of poetry, translations, and essays—served in Vietnam with the First Cavalry Division from 1967-68 and his work is heavily influenced by his participation in the war. All of his poems are of high quality and all should be purchased for any collection of literature dealing with the Vietnam War. This latest group deals with the difficulty of returning from war and adapting to a new life; all deal with life and death matters.

Bruce Weigl

On the Shores of Welcome Home, in which Weigl meditates on the ghosts and the grace one encounters in life’s second act, justly received the Isabella Gardner Poetry Award for 2019.

The poem that follows from the book is “Modern Paradox Sutra Fragment,” which exemplifies Weigl’s skills:

 

A sex offender father broke the jaw

Of his four-year-old cerebral

Palsy son in an unspecified act

Of rage. Change yourself the teacher tells me

Again, and again because you can’t change anyone else.

Knowing things ensures heartbreak.  Not knowing

Is worse. Change yourself the teacher says;

Make more room for the suffering of others

Is what he means. Make more room and then let it

Flow through you. Let the broken-jawed little

Palsied boy who couldn’t even understand

His own poor life flow through you, and let his

Blurred screams flow through you and not through you

To feel them deeply and then to let them go.

 

I found it hard to let this poem go. It lingered in my consciousness as do many of Bruce Weigl’s poems. They have a way of sticking in the brain like jungle thorns in the torn flesh.

–David Willson

Cowboys and War by Larry R. Fry

Cowboys and War (CreateSpace, 64 pp., $15, paper) is a poetry collection written by Larry R. Fry, who served as in the U.S. Air Force in Vietnam in 1962-63. The poems are written from the point of view—and in the voice of—USAF Lt. Gary Bishop Deale. Lt. Deale also is a protagonist in Delta Sierra, Fry’s companion novel which tells the story of Deale’s Vietnam War tour of duty as an F-105D Thunderchief fighter pilot.

The poems in Cowboys and War deal with Deale’s thoughts about the war, as well as his hopes, what was accomplished by the missions he flew, and how he and his fellow pilots coped with the frustrations of combat flying—as well as how they coped with the every-day stress.

When Deale is in Thailand, his wife remains in North Carolina. A major part of the book involves Deale’s thoughts about her and about their marriage.

This small book contains fewer than two dozen poems. They are rarely longer than one page and are often much smaller than that. They are powerful and pack a punch much greater than their size.

Here’s “Pickle the Load,” an example of the fine poetic art in this collection. It was written on June 30, 1967, which happened to be my 25th birthday.

 

Pickle the Load

Rolling

His plane

Upright

Following smoke trails.

Stooping

Down the chute

Like

A bad-assed bird.

Flaming

Telephone poles

Blast

By seeking death.

Drifting

Off target then

Centering

His pipper true.

Punching

His red button

Pickling

The bomb load.

Flashing,

Six orange bursts

Explode

Behind and below.

Slashing

Hot iron shards

Shred

Life from limb.

Thanks to Larry R. Fry—a life member of Vietnam Veterans of America—for this inadvertent birthday poem.

—David Willson

All Present, Unaccounted For by Robert Flanagan

Robert J. Flanagan was born in Mississippi in 1936. He entered the Marines in 1953 and served seven years in the U.S., Panama, and on the Caribbean and Mediterranean Seas. He left the Marine Corps in 1960, joined the Army Security Agency, and put in sixteen additional years of military service. He retired from the Army in 1976 as a Chief Warrant Officer.

From 2001-12 Bob Flanagan published six books, including a trilogy of novels based on his ASA service. His nearly five decades years of journal-keeping has influenced much of his published writing. Flanagan, a life member of Vietnam Veterans of America, is currently assembling a new collection of non-war-related poetry. His recently released poetry collection, All Present, Unaccounted For (Connemara Press, 126 pp. $22, paper), on the other hand, is heavily war-related.

The book’s first poem is entitled “Vacation in Vietnam, 1964.”

Small brown sappers, hard core

Of the VC Three-Ninety-Fifth Battalion—

And equally vulgar aspirants to the title—

Dash ashore in the night wash of the South

China Sea at Vung Tau

Orchestrated, choreographed…not a ballet:

A quiet time-lapse jitterbug.

They don’t know that alien planners

Will name this place in-country R-and-R.

This poem gives a fine taste and sample of the selections in this collection. There are more than a hundred pages of such poems, all of them worth reading and all of them beautifully written—and related to the American war in Vietnam. They deal with topics such as heat rash, immersion foot, and crotch rot, as well as Operation Ranch Hand, Agent Orange, John Wayne, Tarzan, and Graham Greene.

This fine book ranks right up there at the top with W.D. Ehrhart’s recently published poetry collection, Thank You for Your Service. With these two poetry books on your shelf, you will have a good start on understanding the totality of Vietnam War poetry.

For ordering info, go to the author’s website, connemarapress.org

—David Willson

Thank You for Your Service by W.D. Ehrhart

W.D. Ehrhart joined the U.S. Marine Corps right after he graduated from high school in 1966 and served on active duty for three years. He arrived in Vietnam in February 1967, and went on to experience an eventful thirteen-month tour of duty. He was awarded the Purple Heart for wounds received in action in Hue City during the 1968 Tet Offensive, among other decorations.

His service in the Marine Corps in the Vietnam War became grist for the poetic mill that enabled Ehrhart to produce hundreds of fine poems dealing that subject. Of course, talent and hard work combined with Ehrhart’s experiences to come up with the collection of poems that fills most of the pages of his latest book, Thank You for Your Service (McFarland, 310 pp., $35, paper)

I tried hard to select a few lines from this group of chronologically arranged poems to convey the totality of Ehrhart’s talent, but I failed in that attempt. It was just too difficult to choose among so many outstanding poems.

Bill Ehrhart in County, 1967

If I had to list his best work (if, that is, an editor asked me to do so), I would name the following poems: “Scientific Treatise for My Wife,” “More Than You Ever Imagined,” “Afraid of the Dark,” “Waking Alone in Darkness,” “Desire, “The Fool, “ “Sins of the Fathers,” “Letting Go,” “Golfing with My Father,” “Home on the Range,” What Keeps Me Going,” and “How History Gets Written.”

If I had to choose a poem to quote some of Bill Ehrhart’s best poetic lines, I would go with “What Keeps Me Going”:

Pressed down by the weight of despair, I could sit for hours idly searching the ashes from my cigarette, the darkness of silos, the convoluted paths we have followed into this morass of disasters just waiting to happen,

But my daughter needs to sleep and wants me near.  She knows nothing of my thoughts.  Not one missile mars her questioning inspection of my eyes; she wants only the assurance of my smile, the familiar places just so:

Brown Bear, Thumper Bunny, Clown.

These are the circumference of her world.  She sucks her thumb,

Rubs her face hard against the mattress

And begins again

The long night dreaming

Darkness into light.

Ehrhart’s book is filled with such poems and I delighted in them.

Thanks, Bill, for another great collection.

—David Willson

Tributaries by Tim Ralston

When Tim Ralston died in 2010, his wife Mary Kay Keller Ralston and daughter Mariah Ralston Deragon went through his thirty-plus years of poetry, which he often scribbled on the backs of receipts or on other scraps of paper. They chose a group of poems for a book of his work, often needing a magnifying glass to read the words.

That book, Tributaries (Buffalo Commons Tavern, 106 pp. $16, paper), is a labor of love.

Tim Ralston enlisted in the U. S. Air Force in 1970. He served as an English language instructor in South Vietnam, and received his honorable discharge in 1974. He wrote poems during the long period of time between his service in the Vietnam War and his death.

There are many poems in this book, a few of which deal with the Vietnam War. Early in the book, I encountered these lines:

Not in the ample list

But in the crossing outs

By a rougher, awkward hand

(Were they what was

Bought, or what

Couldn’t be afforded?)

Perhaps the last gasp

Of a dying world

Being medevaced far away.

These words made me hopeful that I would encounter much more in the book about—or at least flavored by—the Vietnam War. But I found very little more that dealt with the war.

Still, there was a lot well worth reading, including a poem with Norwegians eating lutefisk and lefse, and folks eating “Gooseberry pie/Puckered with rhubarb sauce.”  My poetic hunger was more than satiated by these references and many more that were equally powerful.

Buy this beautiful little book and savor the many flavors of poetry that Tim Ralston engraved on scraps of paper—and left for us lucky readers.

For ordering info, send an email to Buffalo Commons Tavern.

—David Willson