Emerson Gilmore’s book of Vietnam War poetry, It Looks Like What I’ll Take to My Grave: Viet Nam Fifty Years Later, a Memoir in Verse (106 pp. $15.99, paper; $2.99, Kindle), moves beyond the borders of the war to consider the effects of armed conflict in general and the unfortunate fact that war is apparently a consistent part of human existence.
Gilmore served in the U.S. Army in Vietnam from January 1970-February 1971 as an interpreter and interrogator. The book’s title refers to the fact that his war memories will stay with him for his entire life.
The book gets off to a great start with the first line of the first poem: “None of us was meant/to war.” Gilmore writes that Basic Training at Ft. Jackson taught him how to “guard empty buildings/with empty rifles.”
On his way to Vietnam, he writes, “I stopped in to fill my stomach with beer,/drank for nearly a year/and landed in Bien Hoa, Vietnam.” That was not Gilmore’s last beer, as he admits, “I drank the war.”
He also tells us through his poetry that he “never fired or was fired upon” and he spent much of his time in “the clubs of Saigon/where the whores/knew my name.” Gilmore sometimes writes disparagingly about street prostitutes calling out offers of sex, “Their breath tainted with rat and dog.”
There’s a great poem about both sides during the war singing “the ageless G.I. blues,” with a nod to the 1960 Elvis Presley song and the lyrics to a similar song in James Jones’ great World War II novel, From Here to Eternity, as well as the Hollywood movie version of the book.
Gilmore’s poetry gives us much to think about. Such as: “I will never fight another war/even if God says.” And:
“History without wars bores,
shortens the books,
drains the blood from professors’ careers,
cuts the balls from
man after man
Why Adam and Noah
if not for war?”
Several of the poems are written with a rhythm that would make them especially interesting to be read out loud. Some, if you read carefully, are love poems to lost buddies. Some are straightforward in their story telling; others make creative use of symbolism. A few are fairly light-hearted, but most are as serious as the idea of endless war.
I admire Emerson Gilmore’s poetic efforts to reduce the numbers of American casualties in the war: “If I turn on the radio,/sons will die. The man/will say so. I have not/turned on the television for/months, saving countless lives.”
There’s also serious PTSD at work here, along with occasional glimpses of possible redemption.
I read through this volume three times and different things jumped out at me each time. This book of poetry is alive and I encourage you to engage with it. It’s one of the good ones.