Jeff Kelly served a tour of duty in the Vietnam War in 1968 with the U.S. Marine Corps and wrote about it a 2001 memoir, DMZ Diary. Kelly has now produced a novel, Her Father’s Land (Booklocker.com, 418 pp., $22.02, paper; $2.99,Kindle), which is inspired by his experiences in Vietnam.
He served at a fire base built on the site of a razed hamlet. The gravestones caused him to wonder what it must have been like for the villagers to abandon their homes there, along with the graves of their ancestors. So Kelly has set Her Father’s Land at Fire Base Alpha-3, the closest American base to the DMZ, and interweaves the stories of U.S. Marine, North Vietnamese Army, and Viet Cong characters into the novel.
With Alpha-3 within range of North Vietnamese artillery, the new battalion commander, Col. Favors, is not thrilled about being a sitting target. He feels Marines are best used in an aggressive manner. One of his best men is Lance Cpl. Tim “Monk” Montgomery.
An NVA officer named Huang Van Nhu is in charge of operations against Alpha-3. He and the main character, a female Viet Cong cadre named Tran Xuan Ha, are a couple. Ha goes undercover to get information from an incompetent, cowardly Marine lieutenant named Jones who uses connections (his uncle, a U.S. Senator) to transfer to USAID.
Getting himself out of Alpha-3 gives Jones chance to go after the beautiful Ha and—like most lotharios—he thinks she really digs him. To get her in bed, he’s soon blabbing secrets that get Marines killed.
The love triangle of Nhu, Ha, and Jones is the core relationship in the book. The second half follows the trio as Ha and Nhu attempt to get the kidnapped Jones to the North so he can be used as a political pawn. Meanwhile, battles rage around Alpha-3.
Kelly tries to avoid the flag waving in many Vietnam War novels and movies by being evenhanded. Since he limits himself to a few main characters, he is able to develop them well. Jones comes off as a stereotypical ugly American, but the others are all good examples of combatants sincere in their dedication to their side. Favors and Nhu are worthy adversaries and anyone would want Monk or Ha in their squad.
Kelly writes well with few flourishes. This is not a romance novel. He walked the walk so he is able to get into the heads of his Marine characters. Monk, for example, processes a buddy’s death in less than a minute. He goes from shock to acceptance, eliminating the denial and grief phases, “a skill they all mastered well,” as Kelly puts it.
He goes on to describe combat and weapons like someone who has seen the elephant. The noise from an AC-47 Spooky, Kelly writes, is like “a wail of banshees, a choir of tortured souls, a technological song of megadeath.” On the other hand, Kelly’s choice of not dumbing things down might cause not well-versed in Vietnam War military lingo to have Google handy.
Jeff Kelly has seemingly read Vietnamese memoirs because Nhu and Ha are not stick figures. You won’t root against them. I hope.
The main theme of the novel is that the war was a conflict of American technology and firepower versus the enemy’s zeal—an elephant trying to kill a mouse with a sledgehammer.