In On the Frontlines of the Television War: A Legendary War Cameraman in Vietnam (Casemate, 304 pp., $32.95; $9.99, Kindle), Yasutsune “Tony” Hirashiki describes his experience in the Vietnam War from 1966 to the communist takeover in 1975 working behind the camera for ABC News. The eyewitness accounts of the many phases of the war in this memoir bring events to life as if they had happened yesterday.
In his quest “to become as good as [the famed photojournalist] Robert Capa,” Hirashiki chose to cover the most dangerous assignments in the war. “Many of us dreamed that war reporting would find us fame and recognition within our profession,” he says. For Hirashiki, the dream materialized in the form of a forty-year career with ABC News.
The uncertainty of survival loomed as the primary obstacle to fulfilling that wish. “In many ways, we all felt that we were pushing our luck every time we tried to cover a story,” Hirashiki says. He talks about correspondents who died or disappeared in the war, particularly freelancers.
Hirashiki worked with many famous correspondents. The list includes Sam Donaldson, Peter Jennings, Ted Koppel (who wrote the book’s Introduction), and Drew Pearson. Without a school for combat photography, Hirashiki mastered his skills on the job. Reporters normally operated as a three-man team—photographer, sound man, and correspondent. Hirashiki tells dramatic stories that involve a long list of teammates. He frequently cites these men as teachers and heroes who taught him the finer points of journalism.
His stories are interesting because Hirashiki complements his views with observations by other people who were involved in each incident. Often, this comes from post-war letters that deepen the significance of an event. The acute details of his recollections of a battle in Happy Valley and the chaos leading to the war’s end—which open and close the book—provide highly informative and enjoyable reading.
Following the 1973 ceasefire in Vietnam, Hirashiki temporarily moved to Phnom Penh. He describes the Khmer Rouge assault on that city’s civilians as “scenes from hell.” This gave me the impression that this action was more horrendous than what Hirashiki had seen in Vietnam.
The book’s importance lies in its neutrality. Many people have criticized Vietnam War correspondents, especially television reporters, for promoting antiwar sentiments. On the Frontlines of the Television War, which was edited by Terry Irving, contradicts that opinion by telling the story of a closely knit group of professionals who strove to report what they saw as accurately as possible.
In other words, any distortion in television reporting did not originate in the field.