“I wanna be an Airborne Ranger; I wanna live a life of danger.” So cadenced our Basic Training Drill Instructor all those years ago. In The Life of an Airborne Ranger: Donovan’s Skirmish (Koehler Books, 332 pp. $29.95, hardcover; $18.95, paper; $4.99, Kindle) Michael Kitz-Miller presents us with what he calls a “work of fiction” that appears to rely heavily on the lives and stories of people he came in contact with during his time in the Army. A better description of this book might be “autobiographical fiction.”
The book follows protagonist Jack Donovan’s exploits from early childhood, through a stellar and bemedaled military career, to his quick marriage and his next assignments, which apparently will be chronicled in the next two offerings of Kitz-Miller’s proposed trilogy.
I was struck with the thought that young Jack Donovan may be the re-embodiment of Jack Armstrong, the All-American Boy of the popular radio serial of the 1940s, in that he’s just too good to be true. He also could be the Audie Murphy of the Vietnam War. He has Dr. Ben Casey-style healing and recuperative skills, as well as just off-the-charts expertise in all things military, including being an expert marksman with every weapon he picks up and uses.
Donovan leaves high school, goes through dead-end jobs and a truncated college effort, and then joins the Army. He finishes at the top of his classes in Basic and AIT. And he does very well in Recondo, Ranger, and Airborne schools. He sees action in the decade prior to the run-up of the Vietnam War. Then Donovan earns a chest full of medals serving in Vietnam, including the Medal of Honor for heroic, life-saving actions during an engagement that becomes known as Donovan’s Skirmish.
He also plans and executes large-scale operations and develops ARVN training programs during his first tour. After recuperating from many wounds, he takes time away from the military to complete college, and while he’s at it, joins an ROTC unit so he can graduate as an officer. And he meets his future bride, the wonderful Mary Clarke.
In his Author’s Note, Kitz-Miller suggests that “If there are mistakes, inaccuracies, errors they are certainly mine.” Disregarding the book’s literary qualities, this was a tough one to work through because of misspellings, incomplete or missing punctuation, incomplete sentences, and syntactical errors.
One hopes Michael Kitz-Miller will seek better editorial help with his next literary project.